England -- Fiction; Experimental fiction; Psychological fiction; World War, 1914-1918 -- England -- Fiction; Young men -- Fiction
Yet that, of course, is precisely what one does. He let himself in and
shut the door, though it was only striking ten on one of the city
clocks. No one can go to bed at ten. Nobody was thinking of going to
bed. It was January and dismal, but Mrs. Wagg stood on her doorstep, as
if expecting something to happen. A barrel-organ played like an obscene
nightingale beneath wet leaves. Children ran across the road. Here and
there one could see brown panelling inside the hall door.... The march
that the mind keeps beneath the windows of others is queer enough. Now
distracted by brown panelling; now by a fern in a pot; here improvising
a few phrases to dance with the barrel-organ; again snatching a detached
gaiety from a drunken man; then altogether absorbed by words the poor
shout across the street at each other (so outright, so lusty)--yet all
the while having for centre, for magnet, a young man alone in his room.
"Life is wicked--life is detestable," cried Rose Shaw.
The strange thing about life is that though the nature of it must have
been apparent to every one for hundreds of years, no one has left any
adequate account of it. The streets of London have their map; but our
passions are uncharted. What are you going to meet if you turn this
corner?
"Holborn straight ahead of you," says the policeman. Ah, but where are
you going if instead of brushing past the old man with the white beard,
the silver medal, and the cheap violin, you let him go on with his
story, which ends in an invitation to step somewhere, to his room,
presumably, off Queen's Square, and there he shows you a collection of
birds' eggs and a letter from the Prince of Wales's secretary, and this
(skipping the intermediate stages) brings you one winter's day to the
Essex coast, where the little boat makes off to the ship, and the ship
sails and you behold on the skyline the Azores; and the flamingoes rise;
and there you sit on the verge of the marsh drinking rum-punch, an
outcast from civilization, for you have committed a crime, are infected
with yellow fever as likely as not, and--fill in the sketch as you like.
As frequent as street corners in Holborn are these chasms in the
continuity of our ways. Yet we keep straight on.
Rose Shaw, talking in rather an emotional manner to Mr. Bowley at Mrs.
Durrant's evening party a few nights back, said that life was wicked
because a man called Jimmy refused to marry a woman called (if memory
serves) Helen Aitken.
Public-domain text, read in full here on John Shaqi.
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