England -- Fiction; Experimental fiction; Psychological fiction; World War, 1914-1918 -- England -- Fiction; Young men -- Fiction
Mrs. Flanders wrote letters; Mrs. Jarvis wrote them; Mrs. Durrant too;
Mother Stuart actually scented her pages, thereby adding a flavour which
the English language fails to provide; Jacob had written in his day long
letters about art, morality, and politics to young men at college. Clara
Durrant's letters were those of a child. Florinda--the impediment
between Florinda and her pen was something impassable. Fancy a
butterfly, gnat, or other winged insect, attached to a twig which,
clogged with mud, it rolls across a page. Her spelling was abominable.
Her sentiments infantile. And for some reason when she wrote she
declared her belief in God. Then there were crosses--tear stains; and
the hand itself rambling and redeemed only by the fact--which always did
redeem Florinda--by the fact that she cared. Yes, whether it was for
chocolate creams, hot baths, the shape of her face in the looking-glass,
Florinda could no more pretend a feeling than swallow whisky.
Incontinent was her rejection. Great men are truthful, and these little
prostitutes, staring in the fire, taking out a powder-puff, decorating
lips at an inch of looking-glass, have (so Jacob thought) an inviolable
fidelity.
Then he saw her turning up Greek Street upon another man's arm.
The light from the arc lamp drenched him from head to toe. He stood for
a minute motionless beneath it. Shadows chequered the street. Other
figures, single and together, poured out, wavered across, and
obliterated Florinda and the man.
The light drenched Jacob from head to toe. You could see the pattern on
his trousers; the old thorns on his stick; his shoe laces; bare hands;
and face.
It was as if a stone were ground to dust; as if white sparks flew from a
livid whetstone, which was his spine; as if the switchback railway,
having swooped to the depths, fell, fell, fell. This was in his face.
Whether we know what was in his mind is another question. Granted ten
years' seniority and a difference of sex, fear of him comes first; this
is swallowed up by a desire to help--overwhelming sense, reason, and the
time of night; anger would follow close on that--with Florinda, with
destiny; and then up would bubble an irresponsible optimism. "Surely
there's enough light in the street at this moment to drown all our cares
in gold!" Ah, what's the use of saying it? Even while you speak and look
over your shoulder towards Shaftesbury Avenue, destiny is chipping a
dent in him. He has turned to go. As for following him back to his
rooms, no--that we won't do.
Public-domain text, read in full here on John Shaqi.
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