The good-humoured giant lumbered away, and Susan finding herself in
undisputed possession took him off to remote recesses of the kitchen
garden, far from casual intruders. Meanwhile I went on reading, very
much puzzled. Naturally the style was not that of "The Diamond Gate,"
which was the style of Tom Castleton and not of Adrian Boldero. But was
what I read the style of Adrian Boldero? This vivid, virile opening?
This scene of the two derelicts who hated one another, fortuitously
meeting on the old tramp steamer? This cunning, evocation of smells,
jute, bilge water, the warm oils of the engine room? This expert
knowledge so carelessly displayed of the various parts of a ship? How
had Adrian, man of luxury, who had never been on a tramp steamer in his
life, gained the knowledge? The people too were lustily drawn. They had
a flavour of the sea and the breeziness of wide spaces; a deep-lunged
folk. So that I should not be interrupted I wandered off to a secluded
nook of the garden down the drive away from the house and gave myself up
to the story. From the first it went with a rare swing, incident
following incident, every trait of character presented objectively in
fine scorn of analysis. There were little pen pictures of grim scenes
faultless in their definition and restraint. There was a girl in it, a
wild, clean-limbed, woodland thing who especially moved my admiration.
The more I read the more fascinated did I become, and the more did I
doubt whether a single line in it had been written by Adrian Boldero.
After a long spell, I took out my watch. It was twenty past one. We
lunched at half-past. I rose, went towards the house and came upon
Jaffery and Susan. The latter I despatched peremptorily to her
ablutions. Alone with Jaffery, I challenged him.
"You hulking baby," said I, "what's the good of pretending with me? Why
didn't you tell me at once that you had written it yourself?"
He looked at me anxiously. "What makes you think so?"
"The simple intelligence possessed by the average adult. First," I
continued, as he made no reply but stood staring at me in ingenuous
discomfort, "you couldn't have got this out of poor Adrian's mush;
secondly, Adrian hadn't the experience of life to have written it;
thirdly, I have read many brilliant descriptive articles in _The Daily
Gazette_ and have little difficulty in recognising the hand of Jaffery
Chayne."
"Good Lord!" said he. "It isn't as obvious as all that?"
I laughed. "Then you did write it?"
"Of course," he growled. "But I didn't want you to know. I tried to get
as near Tom Castleton as I could. Look here"--he gripped my
shoulder--"if it's such a transparent fraud, what the blazes is going
to happen?"
Public-domain text, read in full here on John Shaqi.
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