It was not until the end of October that Doria completed her round of
country-house visits and returned to the flat in St. John's Wood. The
morning after her arrival in town she took my satirical counsel and
called at Wittekind's office, and, I am afraid, tried to bite that very
pleasant, well-intentioned gentleman. She went out to do battle,
arraying herself in subtle panoply of war. This I gather from Barbara's
account of the matter. She informs me that when a woman goes to see her
solicitor, her banker, her husband's uncle, a woman she hates, or a man
who really understands her, she wears in each case an entirely different
kind of hat. Judging from a warehouse of tissue-paper-covered millinery
at the top of my residence, which I once accidentally discovered when
tracking down a smell of fire, I know that this must be true. Costumes
also, Barbara implies, must correspond emotionally with the hats. I
recognised this, too, as philosophic truth; for it explained many
puzzling and apparently unnecessary transformations in my wee wife's
personal appearance. And yet, the other morning when I was going up to
town to see after some investments, and I asked her which was the more
psychological tie, a green or a violet, in which to visit my
stockbroker, she lost as much of her temper as she allows herself to
lose and bade me not he silly. . . . But this has nothing to do with
Doria.
Doria, I say, with beaver cocked and plumes ruffled, intent on striking
terror into the heart of Wittekind, presented herself in the outer
office and sent in her card. At the name of Mrs. Adrian Boldero, doors
flew open, and Doria marched straight away into Wittekind's comfortably
furnished private room. Wittekind himself, tall, loose-limbed,
courteous, the least tradesman-like person you can imagine, rose to
receive her. For some reason or the other, or more likely against
reason, she had pictured a rather soapy, smug little man hiding crafty
eyes behind spectacles; but here he was, obviously a man of good
breeding, who smiled at her most charmingly and gave her to understand
that she was the one person in the world whom he had been longing to
meet. And the office was not a sort of human _charcuterie_ hung round
with brains of authors for sale, but a quiet, restful place to which
valuable prints on the walls and a few bits of real Chippendale gave an
air of distinction. Doria admits to being disconcerted. She had come to
bite and she remained to smile. He seated her in a nice old armchair
with a beautiful back--she was sensitive to such things--and spoke of
Adrian as of his own blood brother. She had not anticipated such warmth
of genuine feeling, or so fine an appreciation of her Adrian's work.
Public-domain text, read in full here on John Shaqi.
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