After his silent acknowledgment of the message, he stuffed his pipe
thoughtfully--we were in the smoking-room of a club (not the Athenæum)
to which we both belonged--and then he roared out:
"Do you think she could bear the sight of me?"
"What do you mean?" I asked.
"Well"--he grinned a little--"I'm not exactly a kind of sick-room
flower."
"I think you ought to see her--you're as much trustee and executor as I
am. You might also save Barbara and myself from nerve-racking
questions."
"All right, I'll go," he said.
The interview was only fairly successful. He told her that the book
would be published as soon as possible.
"When will that be?" she asked.
Jaffery seemed to be as vague as myself.
"Is it in the printer's hands?"
"Not yet."
"Why?"
He explained that Adrian had practically finished the novel; but here
and there it needed the little trimming and tacking together, which
Adrian would have done had he lived to revise the manuscript. He himself
was engaged on this necessary though purely mechanical task of revision.
"I quite agree," said Doria to this, "that Adrian's work could not be
given out in an imperfect state. But there can't be very much to do, so
why are you taking all this time over it?"
"I'm afraid I've been rather busy," said he.
Which tactless, though I admit unavoidable, reply did not greatly please
Doria. When she saw Barbara, to whom she related this conversation, she
complained of Jaffery's unfeeling conduct. He had no right to hang up
Adrian's great novel on account of his own wretched business. Letting
the latter slide would have been a tribute to his dead friend. Barbara
did her best to soothe her; but we agreed that Jaffery had made a bad
start.
A short while afterwards I was in the club again and there I came
across Arbuthnot, the manager of Jaffery's newspaper, whom I had known
for some years--originally I think through Jaffery. I accepted the offer
of a seat at his luncheon table, and, as men will, we began to discuss
our common friend.
"I wonder what has come over him lately," said he after a while.
"Have you noticed any difference?" I was startled.
"Yes. Can't make him out."
"Poor Adrian Boldero's death was a great shock."
"Quite so," Arbuthnot assented. "But Jaff Chayne, when he gets a shock,
is the sort of fellow that goes into the middle of a wilderness and
roars. Yet here he is in London and won't be persuaded to leave it."
"What do you mean?" I asked.
"We wanted to send him out to Persia, and he refused to go. We had to
send young Brodie instead, who won't do the work half as well."
"All this is news to me," said I.
Public-domain text, read in full here on John Shaqi.
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