In the composition of this work Cooper seems to have lost all sense of the ridiculous. The personages whom he wished to make particularly attractive are uniformly disagreeable. A French governess appears in the story, who is simply insufferable. He brings in an American woman, Mrs. Bloomfield, as a representative, according to him, of that class which equals, if it does not surpass, in the brilliancy of its conversation the best to be found in European salons. She is introduced discoursing on the civilization of the country in a way that would speedily (p. 155) empty any of the parlors of her native land. Indeed, throughout the work the characters converse as no rational beings ever conversed under any sort of provocation. But it is in the speeches of the heroine that the language reaches its highest development. She can emphatically be said to talk like a book. She does not guess, she hazards conjectures. She playfully addresses her father as "thoughtless, precipitate parent." When she is asked what she thinks of the country now that an attempt was made to take possession of the Point, she describes her character, as drawn in this novel, as no words of another can. "Miss Effingham," she says, "has been grieved, disappointed, nay, shocked, but she will not despair of the republic." Indeed the only person in the work who has any near kinship to humanity is one of the inferior characters, named Aristobulus Bragg. He is the more attractive because he says bright things unconsciously; while the heavy characters say heavy things under the impression that they are light.