James Fenimore Cooper: American Men of LettersLounsbury, Thomas Raynesford
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James Fenimore Cooper: American Men of Letters
Lounsbury, Thomas Raynesford
Cooper, James Fenimore, 1789-1851; Novelists, American -- 19th century -- Biography
When she comes to inquire about
them after his return she speaks of them as turquoise. Again, in "The
Deerslayer" three castles of a curious set of chessmen are given in one
part of the story to the Indians. Later on, two other castles of the
same set make their appearance. This is a singular mistake for Cooper to
overlook, for chess was a game of which he was very fond.
In the matter of language this rapidity and carelessness often
degenerated into downright slovenliness. It was bad enough to resort to
the same expedients and to repeat the same scenes. Still from this
charge few prolific novelists can be freed. But in Cooper there were
often words and phrases which he worked to death. In "The Wept of
Wish-ton-Wish" there is so perpetual a reference to the quiet way in
which the younger Heathcote talks and acts that it has finally anything
but a quieting effect upon the reader's feelings. In "The Headsman of
Berne," "warm" in the sense of "well-to-do," a disagreeable usage at
best, occurs again and again, until the feeling of disagreeableness it
inspires at first becomes at last positive disgust. This trick of
repetition reaches the climax of meaninglessness in "The Ways of the
Hour." During the trial scene the judge repeats on every pretext and as
a part of almost every speech, the sentence "time is precious;" and it
is about the only point on which he is represented as taking a clear and
decided stand.
There were other faults in the matter of language that to some (p. 273)
will seem far worse. I confess to feeling little admiration for that
grammar-school training which consists in teaching the pupil how much
more he knows about our tongue than the great masters who have moulded
it; which practically sets up the claim that the only men who are able
to write English properly are the men who have never shown any capacity
to write it at all; and which seeks, in a feeble way, to cramp usage by
setting up distinctions that never existed, and laying down rules which
it requires uncommon ignorance of the language to make or to heed. Still
there are lengths to which the most strenuous stickler for freedom of
speech does not venture to go. There are prejudices in favor of the
exclusive legitimacy of certain constructions that he feels bound to
respect. He recognizes, as a general rule, for instance, that when the
subject is in the singular it is desirable that the verb should be in
the same number. For conventionalities of syntax of this kind Cooper was
very apt to exhibit disregard, not to say disdain. He too often passed
the bounds that divide liberty from license. It scarcely needs to be
asserted that in most of these cases the violation of idiom arose from
haste or carelessness. But there were some blunders which can only be
imputed to pure unadulterated ignorance. He occasionally used words in
senses unknown to past or present use. He sometimes employed grammatical
forms that belong to no period in the history of the English language. A
Public-domain text, read in full here on John Shaqi.
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