The story of the so-called Coleridge plagiarism is an old one now, but it is one which roused much feeling at the time, and likewise one on which there is considerable division of opinion even in the present day. Into this controversy Ferrier plunged by writing a formidable indictment of Coleridge's position in _Blackwood's Magazine_ for March of 1840. When Ferrier took up the cudgels the matter stood thus. In the earlier quarter of the century German Philosophy was coming, or rather had already come, more or less into vogue in England; and as the German language was not largely read, and yet people were vaguely interested, though in what they hardly knew, they welcomed an appreciative interpreter of that philosophy, and an original writer on similar lines, in one whose reputation was esteemed so highly as that of Coleridge. Coleridge in this matter, indeed, occupied a position which was unique; for the treasures of German poetry and prose had not as yet been fully opened up, and he was held to possess the means of doing this in a quite exceptional degree. The works of Schiller, Goethe, and the other poets came to the world--and to Coleridge with the rest--as a sort of revelation. But the poet in his own mind was nothing if not a philosopher--a kind of seer amongst men, speculating, somewhat vaguely it might be, on matters of transcendental import--and in Schelling he thought he had discovered a kindred spirit; in his writings he believed he had found the Idealism for which he had so long been seeking in Böhme, Fox, and the other mystics--a creed which, though pantheistic in its essence, yet fulfilled the condition of being both orthodox and Trinitarian in its form. This, for many reasons, was a creed presenting many attractions to the younger men of the day, especially when set forth with a certain literary flavour. We have Carlyle's immortal picture of how it influenced John Sterling and his friends.