James Russell Lowell, A Biography; vol. 1/2Scudder, Horace Elisha
General
James Russell Lowell, A Biography; vol. 1/2
Scudder, Horace Elisha
Authors, American -- 19th century -- Biography; Diplomats -- United States -- Biography; Lowell, James Russell, 1819-1891
The criticism for which this letter was an excuse illustrates one very
important element in Lowell’s editorial mind. However little he might
exert himself to go afield for articles in the body of the magazine, he
did not trust to luck for the critical notices. In that department he
took great pains to secure competent workmen. To Lowell and his
contemporaries this matter of book reviews was one of great consequence.
In the evolution of literary periodical literature the article of the
old _Quarterly_ type, which was part a summary of a book, part a further
contribution to the subject, and part a judgment on the author, had shed
the first constituent, had lost much of the second, but preserved the
third in a more condensed and, to a certain degree, in a more impersonal
spirit. But criticism in its finest form was highly valued, and the form
of the book review was accepted as recognized and permanent. When the
_Atlantic_, therefore, was set up emphasis was laid on this serious
side of literary study, and the causerie, the light persiflage which
serves as a relief in most magazines of a literary type--the _Atlantic_
itself has now its Contributors’ Club--was disregarded. To be sure, in
the first number, Lowell printed what seemed to promise a gay side to
the magazine, a leaf entitled “The Round Table,” the purpose of which,
in this instance, was to introduce an occasional poem by Dr. Holmes, but
I suspect he was either a little alarmed at the prospect of setting his
table monthly with a dessert, or was satisfied that the “Autocrat” would
serve the same end. At any rate, no second number of “The Round Table”
appeared. But each month the last few pages of each number were given
up, after the well-accepted tradition, to notices of new books with
occasional surveys of current music and pictures.
Public-domain text, read in full here on John Shaqi.
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