James Russell Lowell, A Biography; vol 2/2Scudder, Horace Elisha
History
James Russell Lowell, A Biography; vol 2/2
Scudder, Horace Elisha
Authors, American -- 19th century -- Biography; Diplomats -- United States -- Biography; Lowell, James Russell, 1819-1891
He saw the completion of the revision of his writings, and the ten
comely volumes standing all a-row were a fair evidence to him that he
was not so indolent as he was wont to call himself. His malady left him
little power for any continuous work, but he wrote the introduction to a
reprint of the first edition of Milton’s “Areopagitica,” a brief paper
on Parkman for the _Century Magazine_, and a trifle for the
Contributors’ Club in the _Atlantic Monthly_. It may be that he glanced
at the six volumes of his own prose when he wrote of Milton: “He must
have known, if any ever knew, that even in the ‘sermo pedestris’ there
are yet great differences in gait, that prose is governed by laws of
modulation as exact, if not so exacting, as those of verse, and that it
may conjure with words as prevailingly. The music is secreted in it, yet
often more potent in suggestion than that of any verse which is not of
utmost mastery.” And then follows a brief sentence which has in it the
very charm he is praising. “We hearken after it as to a choir in the
side chapel of some cathedral heard faintly and fitfully across the long
desert of the nave, now pursuing and overtaking the cadences, only to
have them grow doubtful again and elude the ear before it has ceased to
throb with them.”
It was characteristic of him that he should write to Mr. Gilder: “...Now
what I wish to know is, how soon do you want the Parkman? I have
just had an offer of a thousand dollars for a short paper of
reminiscences, and I think I might make something that would at least
_do_, out of my boyhood. I want the money--I always do, more’s the pity,
but want it particularly just now that I may help a friend who is in
straits. May I write this first? The Parkman is more than half done, and
all thought out.” Plenty of money lay within Lowell’s grasp if he would
sell his name and a few hours of work, but he never had been able to
make merchandise of his art, and it cost him an effort, when he was
asked to name a price, to cast his name into the balance. His
publishers, finding him putting off the volume on Hawthorne, held out
the promise of a very liberal payment as soon as they could have the
book, but he did not get beyond the preliminary business of re-reading
his author. Yet the needs of a friend offered the requisite stimulus.
Public-domain text, read in full here on John Shaqi.
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