COMPLETE WORKS. _Riverside Edition._ In eleven volumes: 1-4. Literary Essays, including Among My Books, My Study Windows, Fireside Travels. 5. Political Essays. 6. Literary and Political Addresses. 7. Latest Literary Essays, and The Old English Dramatists. 8-11. Poems. Each volume, crown 8vo, $1.50; the set, 11 vols., gilt top, $16.50. POEMS. _Cambridge Edition._ From new plates. With Portrait engraved Title with Vignette of “Elmwood.” Large crown 8vo, $2.00. _Household Edition._ With Portrait and Illustrations. Crown 8vo, $1.50; full gilt, $2.00. _Cabinet Edition._ With Portrait, numbered lines, and Indexes to Titles and First Lines. 16mo, $1.00. A FABLE FOR CRITICS. With Outline Portraits of Authors mentioned, and a Facsimile of the rhymed Title-page of the First Edition. Crown 8vo, $1.00. THE BIGLOW PAPERS. Riverside Aldine Series. 2 vols. 16mo, $2.00; Cambridge Classics, crown 8vo, $1.00. THE VISION OF SIR LAUNFAL. Illustrated by E. H. GARRETT. With Portrait of Mr. Lowell. 16mo, gilt top, $1.50. THREE MEMORIAL POEMS. Square 16mo, $1.25. IMPRESSIONS OF SPAIN. With a Portrait. 16mo, $1.50. HOUGHTON, MIFFLIN & CO., BOSTON & NEW YORK. FOOTNOTES: [1] “Take up arms against a sea of troubles.” [2] “The Pocket Celebration of the Fourth,” in the _Atlantic_ for August, 1858, and “A Sample of Consistency,” in the same for November, 1858. [3] _Letters_, i. 307-309. [4] James Jackson Lowell. [5] William Lowell Putnam. [6] It was very likely after reading this poem that Emerson wrote in his diary, 17 January, 1862: “We will not again disparage America now that we have seen what men it will bear. What a certificate of good elements in the soil, climate, and institutions is Lowell, whose admirable verses I have just read! Such a creature more accredits the land than all the fops of Carolina discredit it.” [7] See _Letters_, i. 318. [8] Eight years later, when writing in his happiest mood the paper “A Good Word for Winter,” the memory of these boys came back with the suggestion of snow-forts, and tears trembled in the passage which slipped from his pen. [9] _Letters_, i. 343. [10] In an interesting letter to J. B. Thayer (_Letters_, ii. 191), Lowell says, comparing his odes with those of Gray and Coleridge: “All these were written for the closet--and mine for recitation. I chose my measures with my ears open. So I did in writing the poem on Rob Shaw. That _is_ regular because meant only to be read, and because also I thought it should have in the form of its stanza something of the formality of an epitaph.” [11] “In the Half-way House.” [12] See _Correspondence of J. L. Motley_, ii. 167. Copied in _Letters_, i. 334.