James's Account of S. H. Long's Expedition, 1819-1820, part 1James, Edwin
History
James's Account of S. H. Long's Expedition, 1819-1820, part 1
James, Edwin
Indians of North America; Rocky Mountains; United States -- Discovery and exploration; West (U.S.) -- Description and travel
About one hundred Otoes, together with a deputation of the Ioway
nation, who had been summoned to a council by Major O'Fallon,
presented themselves at our camp on the 3d of October. The
principal chiefs advanced before their people, and upon invitation
seated themselves. After a short interval of silence Shonga-tonga,
the Big Horse, a large portly Indian of a commanding presence,
arose and said, "My father, your children have come to dance
before your tent, agreeably to our custom of honouring brave or
distinguished persons."
After a suitable reply, by Major O'Fallon, the amusement of dancing
was commenced by the striking up of their rude instrumental and
vocal music; the former consisting of a gong made of a large keg,
over one of the ends of which a skin was stretched, which was
struck by a small stick; and another instrument, consisting of a
stick of firm wood, notched like a saw, over the teeth of which
a smaller stick was rubbed forcibly backward and forward; with
these, rude as they were, very good time was preserved with the
vocal performers who sat around them, and by all the natives as
they sat in the inflection of their bodies, or the movements of
their limbs; after the lapse of a little time three individuals
leaped up and danced around for a few minutes, then, at a concerted
signal from the master of the ceremonies, the music ceased, and
they retired to their seats uttering a loud noise, which by patting
the mouth rapidly with the hand, was broken into a succession of
similar sounds, somewhat like the hurried barking of a dog. Several
sets {141} of dancers succeeded, each terminating as the first.
In the intervals of the dances, a warrior would step forward and
strike a flagstaff they had erected with a stick, whip, or other
weapon, and recount his martial deeds. This ceremony is called
_striking the post_, and whatever is then said may be relied upon
as rigid truth, being delivered in the presence of many a jealous
warrior and witness, who could easily detect and would immediately
disgrace the _striker_ for exaggeration or falsehood. This is
called the beggars' dance, during which some presents are always
expected by the performers, as tobacco, whiskey, or trinkets.
But on this occasion, as none of those articles were immediately
offered, the amusement was not, at first, distinguished by much
activity. The master of the ceremonies continually called aloud
to them to exert themselves; but still they were somewhat dull
and backward. Ietan now stepped forward and lashed a post with
his whip, declaring that he would thus punish those who did not
dance; this threat from one whom they had vested with authority
for this occasion had a manifest effect upon his auditors, who
were presently highly wrought up by the sight of two or three
little mounds of tobacco twist which were now laid before them, and
appeared to infuse new life.
Public-domain text, read in full here on John Shaqi.
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