James's Account of S. H. Long's Expedition, 1819-1820, part 1James, Edwin
History
James's Account of S. H. Long's Expedition, 1819-1820, part 1
James, Edwin
Indians of North America; Rocky Mountains; United States -- Discovery and exploration; West (U.S.) -- Description and travel
Their physical action in dancing is principally confined to
leaping a small distance from the ground with both feet, the body
being slightly inclined, and upon alighting, an additional slight
but sudden inclination of the body is made, so as to appear like
a succession of jerks; or the feet are raised alternately, the
motions of the body being the same. Such are the movements, in
which the whole party correspond; but in the figures, as they are
termed in our assembly rooms, each individual performs a separate
part, and each part is a significant pantomimic narrative. In all
their variety of action they are careful to observe the musical
cadences. In this dance Ietan represented one who was in the act
of stealing {143} horses. He carried a whip in his hand, as did
a considerable number of the Indians, and around his neck were
thrown several leathern thongs, for bridles and halters, the ends
of which trailed upon the ground behind him; after many preparatory
manœuvres, he stooped down, and with his knife represented the act
of cutting the _hopples_ of horses; he then rode his tomahawk, as
children ride their broomsticks, making such use of his whip as
to indicate the necessity of rapid movement lest his foes should
overtake him. Wa-sa-ba-jing-ga, or Little Black Bear, after a
variety of gestures, threw several arrows in succession over his
head, thereby indicating his familiarity with the flight of such
missiles; he at the same time covered his eyes with his hand to
indicate that he was blind to danger. Others represented their
manœuvres in battle, seeking their enemy, discharging at him their
guns or arrows, &c. &c. Most of the dancers were the principal
warriors of the nation, men who had not condescended to amuse
themselves or others in this manner for years before; but they
now appeared in honour of the occasion, and to conciliate in the
best manner the good will of the representative of the government
of the Big-knives.[180] Amongst these veteran warriors Ietan, or
Sha-mon-e-kus-se, Ha-she-a, the broken arm, commonly called Cut
Nose, and Wa-sa-ba-jing-ga, or Little Black Bear, three youthful
leaders, in particular attracted our attention. In consequence
of having been appointed soldiers on this occasion, to preserve
order, they were painted entirely black. The countenance of the
former indicated much wit, and had in its expression something
of the character of that of Voltaire; he frequently excited the
mirth of those about him by his remarks and gestures. Ha-she-a,
called Cut Nose, in consequence of having lost the tip of his nose
in a quarrel[181] with Ietan, wore a handsome robe of white wolf
skin, with an appendage behind him, called a _crow_. This singular
decoration is a large cushion, made of the skin of a crow, {144}
stuffed with any light material, and variously ornamented; it has
two decorated sticks projecting from it upward, and a pendant
one beneath; this apparatus is secured upon the buttocks by a
Public-domain text, read in full here on John Shaqi.
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