James's Account of S. H. Long's Expedition, 1819-1820, part 2James, Edwin
History
James's Account of S. H. Long's Expedition, 1819-1820, part 2
James, Edwin
Indians of North America; Rocky Mountains; United States -- Discovery and exploration; West (U.S.) -- Description and travel
The beggar dance.—This has been already described in our account of the
visit of the Otoes, at our cantonment last autumn. This is probably the
dance mentioned by Carver, in page 158. of his work; the performance of
which, on his landing near Lake Pepin, by a party of Chippeways, was
the cause of much alarm to his party.[27]
[27] For sketch of Jonathan Carver, see J. Long's _Voyages_, in our
volume ii, note 5.—ED.
The bison dance, _Ta-nuguh-wat-che_.—The performers in this dance are
painted black, and are naked from the waist upward, with the exception
of the head dress, which is composed of the skin of the head of a
bison, the face of which is cut off and rejected; so adapted to the top
of their head as to resemble a cap, the horns projecting forward in
such a manner as to correspond with their appearance when on the head
of the bison. Attached to this head dress, is a strip of the skin from
the back of the bison, which hangs down behind to the buttocks, like a
tail. In the evolutions of the dance, they imitate the actions of the
bison.
Amongst the Minnetarees, is a ceremony called the corn dance; which,
however, has but little claim to the title of a dance. Notice being
given of this ceremony, by the village criers, the squaws repair to
{59} the medicine lodge, in which the magi are seated, performing
their incantations, carrying with them a portion of each kind of seed
which they respectively intend to plant the ensuing season; as an
ear of maize, some pumpkin, water-melon, or tobacco-seed. These are
attached to the end of small sticks, which are stuck in the ground, so
as to form a right line in front of the magi. The squaws then strip
themselves entirely of their garments, and take their seats before the
spectators. The magi then throw themselves into a violent agitation,
singing, leaping about, pointing to the sky, the earth, the sun, and
the north star, successively. After these paroxysms have subsided, the
squaws arise; and each one taking her respective sticks, holds them up
with extended arms.
One of the magi being provided with a large bunch of a species of
bitter herb, dips it in a vessel of water, and sprinkles copiously the
seeds and persons of the squaws, with much grotesque gesticulation.
This concludes the ceremony; when the seeds are supposed to be
fertilized, and to be capable of communicating their fertility to any
quantity of their kind.
The women then assume their clothing, and return home, being careful
to deposit the fertilized seed with their stock; after which they may
proceed to planting as soon as they please.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account