Jan of the Windmill: A Story of the PlainsEwing, Juliana Horatia
Philosophy
Jan of the Windmill: A Story of the Plains
Ewing, Juliana Horatia
Boys -- Juvenile fiction; Country life -- England -- Juvenile fiction
“Are ye a bit of a poet as well as a pig-minder, then?” and waving his
hand with a theatrical gesture up the wood, the old man began to spout
afresh:—
“A filbert hedge with wild briar overtwined,
And clumps of woodbine taking the soft wind
Upon their summer thrones; there too should be
The frequent chequer of a youngling tree,
That with a score of light green brethren shoots
From the quaint mossiness of aged roots:
Round which is heard a spring-head of clear waters
Babbling so wildly of its lovely daughters,
The spreading bluebells; it may haply mourn
That such fair clusters should be rudely torn
From their fresh beds, and scattered thoughtlessly
By infant hands, left on the path to die.”
Between the strange dialect and the unfamiliar terseness of poetry, Jan
did not follow this very clearly, but he caught the allusion to
bluebells, and the old man brought his hand back to his side with a
gesture so expressive towards the bluebell fragments at his feet, that it
hardly needed the tone of reproach he gave to the last few words—“left on
the path to die”—to make Jan hang his head.
“’Twas the only blue I could find,” he said, looking ruefully at the
fading flowers.
“And what for did ye want blue, then, my lad?”
“To make the sky with,” said Jan.
“The powers of the air be good to us!” said the stranger, setting his
broad hat back from his face, as if to obtain a clearer view of the
little pig-minder. “Are ye a sky-maker as well as a swineherd? And
while I’m catechising ye, may I ask for what do ye bring a slate out
pig-minding and sky-making?”
“I draws out the trees on it first,” said Jan, “and then I does them in
leaves. If you’ll come round,” he added, shyly, “you’ll see it. But
don’t tread on un, please, sir.”
The old man fumbled in his pocket, from which he drew a shagreen
spectacle-case, as substantial looking as himself, and, planting the
spectacles firmly on his heavy nose, he held out his hand to Jan.
“There,” said he, “take me where ye will. To bonnie Elf-land, if that’s
your road, where withered leaves are gold.”
Jan ran round willingly to take the hand of his new friend. He felt a
strange attraction towards him. His speech was puzzling and had a tone
of mockery, but his face was unmistakably kind.
“Now then, lad, which path do we go by?” said he.
“There’s only one,” said Jan, gazing up at the old man, as if by very
staring with his black eyes he could come to understand him. But in an
instant he was spouting again, holding Jan before him with one hand,
whilst he used the other as a sort of _bâton_ to his speech:—
“And know’st thou not yon broad, broad road
That lies across the lily levin?
That is the path of sinfulness,
Though some think it the way to heaven.”
“Go on, please!” Jan cried, as the old man paused. His rugged speech
seemed plainer in the lines it suited so well, and a touch of enthusiasm
in his voice increased the charm.
Public-domain text, read in full here on John Shaqi.
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