Jane Austen and Her TimesMitton, G. E. (Geraldine Edith)
History
Jane Austen and Her Times
Mitton, G. E. (Geraldine Edith)
Austen, Jane, 1775-1817; Novelists, English -- 19th century -- Biography
But Nash’s name is associated even more with the Assembly Rooms than
the Pump Room. The Assembly Rooms are some distance from the Pump
Rooms and the Baths, being situated not far from the famous crescent.
In Jane’s time there were two sets of Assembly Rooms, upper and lower,
governed by two different masters of the ceremonies, positions which
were much coveted. In 1820 the Lower Rooms were burnt down and not
rebuilt, but the Upper are still used, and the names over the doors
of the rooms, Card-room, Tea-room, etc., recall many a scene in Jane
Austen’s novels.
Bath really began to be fashionable in the early part of Queen Anne’s
reign, but it was Nash who consolidated its attractions, and brought it
up to its highest pitch of popularity.
[Illustration: FAÇADE OF THE PUMP ROOM, BATH, IN THE
EIGHTEENTH CENTURY]
When he went there “the amusements of the place were neither elegant
nor conducted with delicacy. General society among people of rank or
fortune was by no means established. The nobility still preserved
a tincture of Gothic haughtiness, and refused to keep company with
the gentry at any of the public entertainments of the place. Smoking
in the rooms was permitted; gentlemen and ladies appeared in a
disrespectful manner at public entertainments in aprons and boots.
With an eagerness common to those whose pleasures come but seldom,
they generally continued them too long, and thus they were rendered
disgusting by too free an enjoyment. If the company liked each other
they danced till morning. If any person lost at cards he insisted on
continuing the game till luck should turn. The lodgings for visitants
were paltry, though expensive, the dining-rooms and other chambers
were floored with boards coloured brown with soot and small beer to
hide the dirt; the walls were covered with unpainted wainscot, the
furniture corresponded with the meanness of the architecture; a few oak
chairs, a small looking-glass, with a fender and tongs, composed the
magnificence of these temporary habitations. The city was in itself
mean and contemptible, no elegant buildings, no open streets, no
uniform squares.”
Thither Nash came in 1705. He was the man of all others to organise
fashionable entertainments. Under his severe, yet fatherly rule, the
place sprang quickly into popularity. Houses were built, streets
repaved, balls and entertainments followed each other in quick
succession. An Assembly Room was built, and good music engaged; but it
was not until 1769, eight years after Nash’s death, that the present
building was erected. Nash’s code of rules continued in force for long
after his death, before which he had sunk from the position of esteem
which he had once enjoyed. His rules throw some light on the conduct of
these delightful assemblies, and are worth quoting—
1. That a visit of ceremony at first coming, and another at going
away, are all that are expected or desired by ladies of quality
and fashion—except impertinents.
Public-domain text, read in full here on John Shaqi.
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