Jane Austen and Her TimesMitton, G. E. (Geraldine Edith)
History
Jane Austen and Her Times
Mitton, G. E. (Geraldine Edith)
Austen, Jane, 1775-1817; Novelists, English -- 19th century -- Biography
She was a real artist. Her work lay apart from and outside of herself.
We do not find a picture of herself under different names playing
heroine in different sets of circumstances; each heroine stands by
herself, and in her women’s portraits she reaches her high-water
mark—Elizabeth Bennet, Emma Woodhouse, Fanny Price, Anne Elliot,
Catherine Morland, Elinor Dashwood, we know each one as a friend, and
each one is completely differentiated.
So brilliant, so perfect, so stamped with its own individuality is each
of the books, that one wonders what she could possibly have produced
next to take rank with its forerunners. Within so small a compass, with
such a narrow stage on which to set the _dramatis personæ_, how did she
manage to make so great a variety?
It is in keeping with her character and work that there should be no
decline, no falling off, that all should be good; it is true that some
of the novels are preferred by one, some by another; some are stronger
in one point, some in another, but neither decay nor improvement can
justly be found between first and last. This is genius. Genius cannot
grow nor can it be cultivated, it is there, and its work is done
without effort and without labour. If Jane had not died at so early an
age, her life would not have seemed so complete, so rounded as it did.
Her dying in the full plenitude and maturity of power is in keeping
with the level excellence of her work.
Her life had been a happy one, free from mind worries, free from great
sorrows, her affections had wide play, her tastes full development;
she was happy in the love of one very near and dear, and if she missed
great ecstasies, she at least had no hideous sorrows to endure in the
sin or vice of those near to her. Her one great sorrow was perhaps the
death of her father, but he was not young, and in the natural course
of events his death cannot be called unexpected. Sunny, well-occupied,
surrounded with the refinements that a sensitive mind appreciates, she
lived out a life on a high uniform level. Her books supplied a motive
and mainspring that otherwise might have been felt to be lacking by
one so energetic. If, as has been said, happiness on earth demands
“someone to love, something to do, and something to hope for,” she had
all these, and much more.
TABULAR STATEMENT OF DATES OF NOVELS
Public-domain text, read in full here on John Shaqi.
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