Courtship -- Fiction; Mate selection -- Fiction; New York (N.Y.) -- Fiction; Women authors -- Fiction; Young women -- Fiction
CHAPTER XIII
Jane and the Irishman came into the Settlement one day to find the
superintendent red-eyed, with two books on her desk. It was clear that
she had been having a luxuriously miserable time. "I've just finished two
of the most powerful stories," she said, polishing the precious powder
from her nose with a damp handkerchief. "Every girl should read them--and
every _man_!"
"I wonder at you, Emma Ellis," said Michael Daragh, "the way you'll be
keening over a printed tale, when you've your heart and head and hands
full of real woes about you, surely!"
"Oh, Mr. Daragh, if you'd just sit down and read _I_ and _The Narrow
Path_! Both written anonymously,--and you just _feel_ the human
heartthrob in every line."
"I'll not be cluttering my mind with the likes of that, woman dear!"
"I've read them both," said Jane, slipping out of her furs and cuddling
into one of the great new chairs, "and I'm afraid I think they're fearful
piffle."
"Miss Vail!" Her face snapped back into its old lines. (Miss Vail really
mustn't think that because she was so situated, financially, that she
could do kind and generous things--which others would do if they
could--that her word was law on every subject!)
"I'll have to be reading them, to decide between the two of you," said
Michael, lighting his mellowed old pipe.
Miss Ellis winced a little as she looked at her new curtains.
"But it's good for moths," said Jane, catching her eye. "No, Michael, you
needn't fuss up your orderly mind with anything so frivolous and
distracting. I can tell you the gist of them both in a few well-chosen
phrases! The theme of both is that when lovely--and lonely--woman stoops
to earning her own living she finds--not too late, but alas,
immediately--that men betray! That every prospect pleases and only man is
vile! These two heroines set out to make their own way; their faces are
their fortune and very nearly their finish! One is a very young girl, the
other an unhappy wife, fleeing with, and, one might be pardoned for
imagining, protected by, a young child. Each is a pattern of dewy
innocence and determined virtue, but no matter where they hie or hide,
the villains still pursue."
"Of course," said Miss Ellis in her small, smothered voice, "if you're
going to make a _joke_ of it----"
"My dear Miss Ellis, it _is_ a joke! One of them gets no further than
the station in her initial flight when she is accosted by a young
millionaire--insulted. (If you were a Constant Reader of popular
fiction, Michael Daragh, you'd know how difficult it is for millionaires
to retain the shreds of human decency.) And that's just the prelude,
but it introduces the motif which runs through the entire composition.
Staid, middle-aged husbands of friends, editors, business men,
authors,--Don Juans all! Rich man, poor man, beggar man, thief, doctor,
lawyer, Indian chief, enmesh the road the ladies are to wander in."
Public-domain text, read in full here on John Shaqi.
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