Every well-ordered Japanese home of the old-fashioned kind has its little shrine, which is the centre of the religious life of the house. If the household is of the Shintō faith, this shrine is called the _kami-dana_, or god shelf, and contains the symbols of the gods, _gohei_ in vases, receptacles for food and drink, and a primitive lamp,--only a saucer of oil in which a bit of pith serves for a wick. Daily offerings must be made before this shrine, and reverence paid by the clapping of hands; while on feast days special offerings and invocations are required. In Buddhist families, the _Butsudan_, or Buddha shelf, takes the place of the _kami-dana_, and the worship is slightly more complicated. Greater variety of food is offered, and the simple clapping of the hands and bowing of the head that is the form of prayer in the Shintō religion is replaced by the burning of incense and by actual verbal invocation of Buddha. These religious ceremonies must be attended to by the mother or wife. She it is who sets the rice and wine before the ancestral tablets, who lights the little lamp each night, and who sees that at each feast day and anniversary season the proper food is prepared and set out for the household gods. Upon the wife, and her attention to minute and apparently trifling details, depends much of the well-being of the family. Each child, as it grows toward maturity, gathers from various sources a collection of amulets, which, while worn always when the child is in full dress, are frequently too precious for ordinary play times and the risks and perils of every-day life. These must be kept carefully by the mother as a safeguard against the many evils that beset child-life. I have spoken of the amulets given at the times of the _miya mairi_,--both the first, when the name is given to the baby, and the subsequent visits made to the temple by the children as they pass certain stated points in their progress toward maturity. These amulets are simply written papers or slips of wood with the seal of the temple from which they are issued stamped upon them. Visits to noted temples by relatives and friends often result in additions to the child's collection. One kind of charm is good to keep the eyes strong; another will help its possessor to that much-prized accomplishment, a good handwriting; another acts as an assurance against accident and saves the child from harm in case of a fall. All these are put together by the careful mother and preserved as jealously as Queen Althea kept the charred stick that governed the destiny of her son. As the children arrive at years of discretion, these treasures pass out of the mother's faithful keeping into the hands of their actual owners, and they are usually kept stored away in some little-used drawer or cabinet until death removes the necessity for any further safeguards over life. Perhaps of all the curious things that go to make up these intimate personal belongings of a Japanese man or