Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
Some hours were spent between them, and then Genji rose, and throwing
up the shutter in the same way as he did in the lodge of Yugao, looked
upon the snow which had fallen in the garden. The ground was covered
with a sheet of pure whiteness; no footstep had left its trace,
betraying the fact that few persons came to the mansion. He was about
to take his departure, but some vague impulse arrested him. Turning to
the Princess, he asked her to come near him, and to look out on the
scene, and she somewhat unreadily complied.
The evening was far advanced, but the reflection of the snow threw a
faint light over all. Now, for the first time, he discovered the
imperfections of the personal attractions of the Princess. First, her
stature was very tall, the upper part of her figure being out of
proportion to the lower, then one thing which startled him most was
her nose. It reminded him of the elephant of Fugen. It was high and
long; while its peak, a little drooping, was tinged with pink. To the
refined eyes of Genji this was a sad defect. Moreover, she was thin,
too thin; and her shoulders drooped too much, as if the dress was too
heavy for them.
"Why am I so anxious to examine and criticise?" thought Genji, but his
curiosity impelled him to continue his examination. Her hair and the
shape of her head were good, in no way inferior to those of others he
liked so well. Her complexion was fair, and her forehead well
developed. The train of her dress, which hung down gracefully, seemed
about a foot too long. If I described everything which she wore I
should become loquacious, but in old stories the dress of the
personages is very often more minutely described than anything else;
so I must, I suppose, do the same. Her vest and skirt dress were
double, and were of light green silk, a little worn, over which was a
robe of dark color. Over all this she wore a mantle of sable of good
quality, only a little too antique in fashion. To all these things,
therefore, he felt no strong objection; but the two things he could
not pass unnoticed were her nose, and her style of movement. She moved
in a stiff and constrained manner, like a master of the ceremonies in
some Court procession, spreading out his arms and looking important.
This afforded him amusement, but still he felt for her. "If I say too
much, pardon me," said Genji, "but you seem apparently friendless. I
should advise you to take interest in one with whom you have made
acquaintance. He will sympathize with you. You are much too reserved.
Why are you so?
The icicle hangs at the gable end,
But melts when the sun is high,
Why does your heart not to me unbend,
And warm to my melting sigh."
A smile passed over the lips of the Princess, but they seemed too
stiff to reply in a similar strain. She said nothing.
Public-domain text, read in full here on John Shaqi.
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