Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
[Footnote 67: From a Chinese poem about poor people "night advancing,
snow and hail fly white around. Youth with its body uncovered, and the
aged with chilly pain, grief and cold come together, and make them
both sob."]
[Footnote 68: A play upon the word "hana," which means a nose, as well
as a flower.]
[Footnote 69: An old custom in Japan for girls when married, or even
betrothed, is to blacken their teeth. This custom, however, is rapidly
disappearing.]
[Footnote 70: In an old tale it is stated that this man had a
sweetheart. He often pretended to be weeping, and made his eyes moist
by using the water which he kept in his bottle for mixing ink, in
order to deceive her. She discovered this ruse; so one day she put ink
into it secretly. He damped his eyes as usual, when, giving him a hand
mirror, she hummed, "You may show me your tears, but don't show your
blackened face to strangers."]
CHAPTER VII
MAPLE FETE
The Royal visit to the Suzak-in was arranged to take place towards the
middle of October, and was anticipated to be a grand affair. Ladies
were not expected to take part in it, and they all regretted their not
being able to be present.
The Emperor, therefore, wished to let his favorite, the Princess
Wistaria, above others, have an opportunity of witnessing a rehearsal
that would represent the coming _fete_, and ordered a preliminary
concert to be performed at the Court, in which Genji danced the "Blue
Main Waves," with To-no-Chiujio for his partner. They stood and danced
together, forming a most pleasing contrast--one, so to speak, like a
bright flower; the other, an everlasting verdure beside it. The rays
of the setting sun shone over their heads, and the tones of the music
rose higher and higher in measure to their steps. The movements both
of hand and foot were eminently graceful; as well, also, was the song
of Genji, which was sung at the end of his dance, so that some of the
people remarked that the sound of the holy bird, Kariobinga,[71] might
be even like this. And so the rehearsal ended.
When the day of the _fete_ came, all the Royal Princes, including the
Heir-apparent, and all personages of State, were present at the scene.
On the lake, "the music boat," filled with selected musicians, floated
about, as usual on such occasions; and in the grounds, the bands,
which were divided into two divisions on the right and left, under the
direction of two Ministers and two Yemon-no-Kami, played. With this
music different dances, including Chinese and Corean, were performed,
one after another, by various dancers. As the performance went on, the
high winds rustled against the tall fir-trees, as though Divine
strains of music had broken forth on high in harmony with them. The
tune of the bands became quick and thrilling, as different colored
leaves whirled about overhead.
Public-domain text, read in full here on John Shaqi.
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