Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
True, it is that his late Majesty had been for some time off the
throne, but his authority had by no means diminished on that account.
But his death now altered the state of things, and the ascendancy of
the family of Udaijin became assured. The people in general
entertained great fear that infelicitous changes would take place in
public affairs, and among these Genji and the Princess Wistaria were
the most disturbed by such anxieties.
The new year came in, but nothing joyful or exciting accompanied its
presence--the world was still.
Genji kept himself to his mansion. In those days, when his father was
still in power, his courtyard was filled with the carriages of
visitors, especially when the days of the appointments were
approaching; but now this was changed, and his household secretaries
had but little to occupy them.
In January the Princess Momo-zono (peach-gardens) was chosen for the
Saiin, of the Temple of Kamo, her predecessor having retired from
office, on account of the mourning for her father, the late
ex-Emperor.
There were not many precedents for Princesses of the second generation
being appointed to this position; but this Princess was so chosen,
owing, it seems, to the circumstance that there was no immediate issue
of the Imperial blood suitable for this office.
In February the youngest daughter of the Udaijin became the
Naishi-no-Kami,[94] in the place of the former one, who had left
office and become a nun after the death of the ex-Emperor.
She took up her residence in the Kokiden, which was till lately
occupied by her sister, the Empress-mother, who at this period spent
most of her time at her father's, and who when she came to the Court
made the Ume-Tsubo (the plum-chamber) her apartment.
Meanwhile the Empress-mother, who was by nature sagacious and
revengeful, and who during the late Emperor's life had been fain to
disguise her spiteful feelings, now conceived designs of vengeance
against those who had been adverse to her; and this spirit was
directed especially against Genji and his father-in-law,
Sadaijin--against the latter because he had married his only daughter
to Genji against the wishes of the Emperor when Heir-apparent, and
because during the life of the late Emperor his influence eclipsed
that of her father, Udaijin, who had long been his political
adversary.
The Emperor, it is true, never forgot the dying injunctions of his
father, and never failed in sympathy with Genji; but he was still
young, with a weak mind, and therefore he was under the influence of
his mother and grandfather, Udaijin, and was often constrained by
them in his actions to go contrary to his own wishes.
Public-domain text, read in full here on John Shaqi.
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