Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
Just as the party were on the point of starting, some of them observed
that it was a pity to leave so lovely a spot without resting awhile
among the flowers. This was immediately agreed to, and they took their
seats on a moss-grown rock, a short distance from which a little
streamlet descended in a murmuring cascade.
They there began to drink _sake_, and To-no-Chiujio taking his flute,
evoked from it a rich and melodious strain; while Ben, tapping his fan
in concert, sang "The Temple of Toyora," while the Prince, as he
leaned against a rock, presented a picturesque appearance, though he
was pale and thin.
Among the attendants was one who blew on a long flute, called
Hichiriki, and another on a Shio flute. The priest brought a _koto_,
and begged Genji to perform upon it, saying: "If we are to have music
at all, let us have a harmonious concert." Genji said that he was no
master of music; but, nevertheless, he played, with fair ability, a
pleasing air. Then they all rose up, and departed.
After they had quitted the mountain, Genji first of all went to the
Palace, where he immediately had an interview with the Emperor, who
considered his son to be still weak in health; and who asked him
several questions with regard to the efficacy of the prayers of the
reverend hermit. Genji gave him all particulars of his visit to the
mountain.
"Ah!" said the Emperor, "he may some day be entitled to become a dean
(Azali). His virtue and holiness have not yet been duly appreciated by
the government and the nation."
Sadaijin, the father-in-law of the Prince, here entered, and entreated
Genji to accompany him to his mansion, and spend a few days. Genji did
not feel very anxious to accept this invitation, but was persuaded to
do so. Sadaijin conveyed him in his own carriage, and gave up to him
the seat of honor.
They arrived; but, as usual, his bride did not appear, and only
presented herself at last at the earnest request of her father. She
was one of those model princesses whom one may see in a picture--very
formal and very sedate--and it was very difficult to draw her into
conversation. She was very uninteresting to Genji. He thought that it
would only lead to a very unpleasant state of affairs, as years grew
on, if they were to be as cool and reserved to each other as they had
been hitherto. Turning to her, he said, with some reproachfulness in
his accents, "Surely you should sometimes show me a little of the
ordinary affection of people in our position!"
She made no reply; but, glancing coolly upon him, murmured with
modest, yet dignified, tone--
"When you cease to care for me,
What can I then do for thee?"
Public-domain text, read in full here on John Shaqi.
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