Clear, strong, true, and perfect as a golden bell, it mounted in a
paean of thanksgiving.
"Hail, Zitu--father of all life--and thanks from a grateful heart.
Hail, Azil--giver of life--who poured life into the mold of life--from
which I was born. Thanks be to thee for the life that is mine--this
life--I hold from thee--to be mine own. Blessings--my blessings upon
thee, Ga--that I am a woman--my thanks for the tears with which,
womanlike, I have washed your feet--not knowing that so I washed out
also sorrow--preparing thereby my heart as a flask for the mellow wine
of life from which now joy is drunk."
So sang Naia of Aphur, and I recognized the song as one of which Croft
had told me--as one she had sung on another occasion when she bore him
back from the camp of the Mazzerian army under Bandhor--as a chant--a
prayer, used by Tamarizian women for one who had lain at the very door
of death, and returned.
Here, then, I think is the logical end of the story--with the
great plane driven south by Avron, and behind him, Maia, the girl
of Mazzeria, and Jason, Mouthpiece of Zitu, and Naia of Aphur
singing--with Jason, Son of Jason, held safe in her cradling arms.
Public-domain text, read in full here on John Shaqi.
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