Cape of Good Hope (South Africa) -- Fiction; English fiction; Xhosa (African people) -- Fiction
He treated me with a certain air of respect, which, I confess, pleased
me exceedingly. He seemed more for my favour than Lady Amabel's. There
was a peculiar kind of cleverness, too, in his conversation, which was
new--it was that of _educated ability_; but he had an original way of
discussing questions, and, through the respectful reserve he maintained
towards me, I could discover a lurking talent for sarcasm, not
ill-natured, but irresistibly amusing. He entertained Lady Amabel very
much with his "quiet impertinences," as she called them, and "drew out"
her colonial visitors to an extent they never dreamt of. I own that I
was a little mystified; it was some time before I could discover the
difference between jest and earnest in this character.
Lady Amabel, as I have told you, though elegant and charming, was an
idler; she missed Mr Lyle extremely, when some days passed without a
visit from him. It never struck me, till enlightened by his own
subsequent revelations, that he withdrew himself from us occasionally in
order to be recalled--an absence of two or three days was sure to be
followed by a note of invitation to dine at Newlands--and then he came
with news, private and political. His credentials had introduced him to
the principal families at Cape Town, and he was already well received
among them.
He had the talent of adapting himself to the habits and tastes of all
classes and both sexes; he could talk politics with officials, and was
often asked by Lady Amabel to assist her in entertaining such persons as
she had friendly reasons for inviting to Newlands. She thought him a
little spoiled, for it did not always suit his mood to talk. She did
not discover, nor did I at the time, her own error in spoiling him
herself.
He turned all kind Lady Amabel's foibles to his own account.
No two characters could be more opposite than Lyle's and Clarence
Fairfax's, and yet both had certain attributes in common; both were
brave and daring, but Clarence had less moral courage than Lyle--both
loved to conquer, but the one wanted perseverance, and would yield to
passion while success was doubtful. I could recall many circumstances
which would explain these contrasts in the two characters. Clarence
Fairfax, in his resolution to conquer a horse, closed the contest by
shooting it dead in the face of his grooms. Lyle seized the reins of
one of Sir Adrian's fiery steeds, and, mounting it when excited to fury,
fought with it resolutely, till it quailed beneath his hand, and then
galloped it for miles against its will, till it was thoroughly tamed.
People had seen these two men play billiards, and remarked the dashing
impetuosity of the one, and the cool, calculating game of the other; the
one winning by quiet determination.
Public-domain text, read in full here on John Shaqi.
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