Scotland -- Social life and customs -- Fiction; Scots -- Foreign countries -- Fiction; Short stories
“I am charmed to find you can be so easily entertained,” said he. “After
all, what is it? Merely a trifling incident. Every other man who went
through the Peninsular campaign came on experiences, I am sure, far more
curious. My little story would have ended in the lane of Ciudad Rodrigo
had not three companies of the 71st—mainly invalids after Badajos—been
sent to Scotland for a whiff of their native air, and the fascination of
recruits. I had got a spent ball in the chest at Badajos. I, too, had
that gay vacation. I went with my silver drum to the county it came
from. It was glorious summer weather. For three weeks we were billeted
in the county town; for a fortnight I would not have changed places with
King George himself.”
“Mr Urquhart,” I said, “I have a premonition. Here comes in the
essential lady.”
The sculptor smiled.
“Here, indeed,” he said, “comes in the lady. There are, I find, no
surprises for a novelist. We were one day (to resume my story) in the
burgh square, where a market was being held, and hopes were entertained
by our captain that a few landward lads might nibble at the shilling.
Over one side of the square towered a tall whitewashed house of many
windows; and as I, with a uniform tunic that was the pride of the
regimental tailor, five feet eleven, twenty-one years of age, and the
vanity of a veteran, played my best to half a dozen fifes, I noticed the
lady at a window—the only window in all that massive house-front to
manifest any interest in our presence or performance. I turned my silver
drum a little round upon my leg that it might reflect more dazzlingly the
light of the afternoon sun, and threw into my beats and rolls the most
graceful style that was at my command, all the while with an eye on
madam. It was my youthful conceit that I had caught her fancy when, a
little later—our sergeants busy among the rustics—she came out from the
house and over where I sat apart beside my drum on the steps of the
market cross. She was younger than myself, a figure so airy and
graceful, you would swear that if she liked she could dance upon
blue-bells without bruising a petal; she had hair the colour of winter
bracken in sunshine, and the merriest smile.
“‘Excuse me,’ said she, ‘but I _must_ look at the darling drum—the sweet
drum,’ and caught the silken cords in her fingers, and ran a palm of the
daintiest hand I had ever seen over the shining barrel.
“I thought she might, with more creditable human sentiment, have had less
interest in my drum and more in me, but displayed my instrument with the
best grace I could command.
Public-domain text, read in full here on John Shaqi.
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