She must wear the unhemmed sackcloth and dull slippers, bind her
headdress and cover her pins with paste, for a hundred days; and then
a second mourning of black or dark blue, and no flowers, for three
years. It might well be that by then Gerrit, blind to these
proprieties, would find her unendurable. Suddenly, in the tremendous
difficulty of holding him against an entire world, his own and of
which she was supremely ignorant, it seemed to her that she needed
every possible means, every coral blossom and gold filament and finger
of paint, the cunning intoxication of subtle dress and color and
perfume. With a leaden sense of guilt, but in a fever of impatience,
of haste, she stripped off the coarse hemp for her most elaborate
satins, her santal and clover and carmine.
When Gerrit came in it had grown dark with night, and he explained that
he had been busy inspecting the _Nautilus'_ spars. She lighted a lamp,
then another, all she could find, and studied him unobtrusively. She was
shocked at the worn expression of his face; it seemed as if he had aged
in the few hours since he had left the library. He was uneasy, silent;
and, secretly dismayed, she saw that he was indifferent to her changed
appearance, too. Taou Yuen debated the wisdom of telling him about the
painful scene with Edward Dunsack; against her original intent she
decided in the negative. She informed herself that the reason for this
was a wish to preserve him, now that they were practically at the day of
departure, from an unpleasant duty. But there was an underlying dimly
apprehended and far different motive: she was afraid that it would blow
into flame a situation that might otherwise be avoided, bring to life a
past naturally dying or dead.
She saw that he was scarcely aware of her presence in the room, perhaps
in his life. A period of resentment followed. "You are dull," she
declared, "and I am going down to the garden for entertainment." Gerrit
nodded. He would, he told her, be along shortly. Below she found Roger
Brevard, with the oldest Ammidon girl and her mother.
Roger Brevard, she had discovered, was in love with Sidsall. The latter,
it developed, was to leave shortly for a party; Mr. Brevard was not
going; and, when Gerrit's sister-in-law walked across the grass with her
daughter the man dropped into an easy conversation with Taou Yuen. She
had a feeling, which she had tried in vain to lose, of the vulgarity, the
impropriety of this. Yet she recognized that there was none of the former
in Roger Brevard; he resembled quite a little her dead husband,
Sie-Ngan-kwan; and for that reason she was more at ease with him--in
spite of such unaccustomed familiarity--than with anyone else in Salem
but Gerrit.
Public-domain text, read in full here on John Shaqi.
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