Barzil Dunsack made no immediate reply; his gaze turned from his son to
the stand, the fluttering lamp and its accessories. His head moved slowly
in the act of sniffing the pungent haze swimming in the interior. Nettie
could see his face, and she was appalled by an, expression grimmer than
any she remembered; it was both harsh, implacable, and stricken, as empty
of blood as the countenance on the bed. The hand on the post tightened
until it, too, was linen white. She drew close to her mother's side,
putting a supporting arm about the soft shaking shoulders.
"No," said Barzil Dunsack, in a booming voice, "not dead, and yet dead
forever. Go downstairs," he commanded. They backed confused to the door.
"If Edward is sick--" Kate Vollar began. The old man's face blazed with
intolerable pain and anger.
"Woman," he demanded, "can you cure what God has smitten?" His eyes
alone, hard and bright in the seamed and hairy face, drove them out into
the hall. Below in the sitting room Nettie exclaimed, "He might have told
us something!"
"Whatever it is," her mother returned, "it's dreadful bad. I've felt that
all along about Edward; he's never been himself this last time."
Mechanically she found her reticule beside the painted ostrich egg from
Africa. "You'll have to get the oysters anyhow," she told her daughter,
maintaining the inevitable pressure of small necessities that defied all
tragedy and death.
Nettie escaped with an enormous relief into the sunny normal tranquility
of the afternoon. The house had become too horrible to bear; and even on
the thronged length of Derby Wharf, like a street robbed of its supports
and thrust out into the harbor, she was followed by the vision of Edward
Dunsack's peaked clayey face.
She got the oysters, and in an overwhelming reluctance to return walked
out to the end of the wharf, where a ship was discharging her
cargo--heavy plaited mats of cassia with a delicate scent, red and blue
slabs of marble, baskets of granular cakes of gray camphor, rough brown
logs of teak, smooth dull yellow rolls of gamboge, bags with sharp
conflicting odors, baled silks and half chests of tea wrapped in bamboos
and matting painted with the ship's name, _Rose and Rosalie_.
There Nettie found herself beside a little girl clasping the hand of a
bulky old gentleman in pongee and a palm leaf hat and following every
operation with a grave critical regard. "I guess," she said to her
companion, "it's only the cheap sort of tea, a late picking, or it would
be in canisters." She was, Nettie realized, the youngest Ammidon child
with her grand-father. The latter looked round and recognized Nettie
Vollar. "How's Barzil Dunsack?" he asked immediately.
Public-domain text, read in full here on John Shaqi.
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