Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Then he got up and went away.
There was a terrific row. The audience shouted that he had insulted them,
and that he must come and apologize. Next day the papers unanimously
slaughtered the grotesque German to whom justice had been meted out by the
good taste of Paris.
And then once more he was left in absolute isolation. Once more Christophe
found himself alone, more solitary than ever, in that great, hostile,
stranger city. He did not worry about it. He began to think that he was
fated to be so, and would be so all his life.
He did not know that a great soul is never alone, that, however Fortune may
cheat him of friendship, in the end a great soul creates friends by the
radiance of the love with which it is filled, and that even in that hour,
when he thought himself for ever isolated, he was more rich in love than
the happiest men and women in the world.
* * * * *
Living with the Stevens was a little girl of thirteen or fourteen, to whom
Christophe had given lessons at the same time as Colette. She was a distant
cousin of Colette's, and her name was Grazia Buontempi. She was a little
girl with a golden-brown complexion, with cheeks delicately tinged with
red: healthy-looking: she had a little aquiline nose, a large well-shaped
mouth, always half-open, a round chin, very white, calm clear eyes, softly
smiling, a round forehead framed in masses of long, silky hair, which fell
in long, waving locks loosely down to her shoulders. She was like a little
Virgin of Andrea del Sarto, with her wide face and serenely gazing eyes.
She was Italian. Her parents lived almost all the year round in the country
on an estate in the North of Italy: plains, fields, little canals. From the
loggia on the housetop they looked down on golden vines, from which here
and there the black spikes of the cypress-trees emerged. Beyond them were
fields, and again fields. Silence. The lowing of the oxen returning from
the fields, and the shrill cries of the peasants at the plow were to be
heard:
_"Ihi!... Fat innanz'!..."_
Grasshoppers chirruped in the trees, frogs croaked by the waterside. And at
night there was infinite silence under the silver beams of the moon. In the
distance, from time to time, the watchers by the crops, sleeping in huts of
branches, fired their guns by way of warning thieves that they were awake.
To those who heard them drowsily, these noises meant no more than the
chiming of a dull clock in the distance, marking the hours of the night.
And silence closed again, like a soft cloak, about the soul.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account