Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
He strode about Paris rejoicing in his strength. If he were misunderstood,
so much the better! He would be all the freer. To create, as genius must, a
whole world, organically constituted according to his own inward laws, the
artist must live in it altogether. An artist can never be too much alone.
What is terrible is to see his ideas reflected in a mirror which deforms
and stunts them. He must say nothing to others of what he is doing until he
has done it: otherwise he would never have the courage to go on to the end:
for it would no longer be his idea, but the miserable idea of others that
would live in him.
Now that there was nothing to disturb his dreams, they bubbled forth like
springs from all the corners of his soul, and from every stone of the roads
by which he walked. He was living in a visionary state. Everything he saw
and heard called forth in him creatures and things different from those he
saw and heard. He had only to live to find everywhere about him the life
of his heroes. Their sensations came to him of their own accord. The eyes
of the passers-by, the sound of a voice borne by the wind, the light on
a lawn, the birds singing in the trees of the Luxembourg, a convent-bell
ringing so far away, the pale sky, the little patch of sky seen from his
room, the sounds and shades of sound of the different hours of the day, all
these were not in himself, but in the creatures of his dreams.--Christophe
was happy.
But his material position was worse than ever. He had lost his few pupils,
his only resource. It was September, and rich people were out of town, and
it was difficult to find new pupils. The only one he had was an engineer, a
crazy, clever fellow, who had taken it into his head, at forty, to become a
great violinist. Christophe did not play the violin very well: but he knew
more about it than his pupil: and for some time he gave him three hours a
week at two francs an hour. But at the end of six weeks the engineer got
tired of it, and suddenly discovered that painting was his vocation.--When
he imparted his discovery to Christophe, Christophe laughed heartily: but,
when he had done laughing, he reckoned up his finances, and found that he
had in hand the twelve francs which his pupil had just paid him for his
last lessons. That did not worry him: he only said to himself that he must
certainly set about finding some other means of living, and start once more
going from publisher to publisher. That was not very pleasant.... Pff!...
It was useless to torment himself in advance. It was a jolly day. He went
to Meudon.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account