Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Christophe shook off these morbid thoughts, the murderous smile of the
siren who lies in wait for the hours of weakness of the soul. He got up,
and tried to walk about his room: but he could not stand. He was shaking
and shivering with fever. He had to go to bed. He felt that it was serious
this time: but he did not lay down his arms: he never was of those who,
when they are ill, yield utterly to their illness: he struggled, he refused
to be ill, and, above all, he was absolutely determined not to die. He had
his poor mother waiting for him in Germany. And he had his work to do: he
would not yield to death. He clenched his chattering teeth, and firmly
grasped his will that was oozing away: he was like a sturdy swimmer
battling with the waves dashing over him. At every moment, down he plunged:
his mind wandered, endless fancies haunted him, memories of Germany and of
Parisian society: he was obsessed by rhythms and scraps of melody which
went round, and round, and round, like horses in a circus: the sudden shock
of the golden light of the _Good Samaritan_: the tense, stricken faces in
the shadow: and then, dark nothingness and night. Then up he would come
once more, wrenching away the grimacing mists, clenching his fists, and
setting his jaw. He clung to all those whom he loved in the present and the
past, to the face of the friend he had just seen in the street, his dear
mother, and to the indestructible life within himself, that he felt was
like a rock, impervious to death. But once more the rock was covered by the
tide: the waves dashed over it, and tore his soul away from its hold upon
it: it was borne headlong and dashed by the foam. And Christophe struggled
in delirium, babbling strangely, conducting and playing an imaginary
orchestra: trombones, horns, cymbals, timbals, bassoons, double-bass,...
he scraped, blew, beat the drum, frantically. The poor wretch was bubbling
over with suppressed music. For weeks he had been unable to hear or play
any music, and he was like a boiler at high pressure, near bursting-point.
Certain insistent phrases bored into his brain like gimlets, pierced his
skull, and made him scream with agony. After these attacks he would fall
back on his pillow, dead tired, wet through, utterly weak, breathless,
choking. He had placed his water-jug by his bedside, and he took great
draughts of it. The various noises of the adjoining rooms, the banging of
the attic doors, made him start. He was filled with a delirious disgust for
the creatures swarming round him. But his will fought on, sounded a warlike
clarion-note, declaring battle on all devils.... "_Und wenn die Welt voll
Teufel wär, und wollten uns verschlingen, so fürchten wir uns nicht so
sehr_...." ("And even though the world were full of devils, all seeking to
devour us, we should not be afraid....").
Public-domain text, read in full here on John Shaqi.
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