Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
And he would lounge about the riverside, lost in dreams. That was his
favorite walk. It did a little satisfy his longing for the great river that
had sung the lullaby of his childhood. Ah! it was not _Vater Rhein_! It had
none of his all-puissant might: none of the wide horizons, vast plains over
which the mind soars and is lost. A river with gray eyes, gowned in pale
green, with finely drawn, correct features, a graceful river, with supple
movements, wearing with sparkling nonchalance the sumptuous and sober garb
of her city, the bracelets of its bridges, the necklets of its monuments,
and smiling at her own prettiness, like a lovely woman strolling through
the town.... The delicious light of Paris! That was the first thing that
Christophe had loved in the city: it filled his being sweetly, sweetly: and
imperceptibly, slowly, it changed his heart. It was to him the most lovely
music, the only music in Paris. He would spend hours in the evening walking
by the river, or in the gardens of old France, tasting the harmonies
of the light of day touching the tall trees bathed in purple mist, the
gray statues and ruins, the worn stones of the royal monuments which had
absorbed the light of centuries,--that smooth atmosphere, made of pale
sunshine and milky vapor, in which, on a cloud of silvery dust, there
floats the laughing spirit of the race.
One evening he was leaning over the parapet near the Saint-Michel Bridge,
and looking at the water and absently turning over the books in one of the
little boxes. He chanced upon a battered old volume of Michelet and opened
it at random. He had already read a certain amount of that historian, and
had been put off by his Gallic boasting, his trick of making himself drunk
with words, and his halting style. But that evening he was held from the
very first words: he had lighted on the trial of Joan of Arc. He knew the
Maid of Orleans through Schiller: but hitherto she had only been a romantic
heroine who had been endowed with an imaginary life by a great poet.
Suddenly the reality was presented to him and gripped his attention. He
read on and on, his heart aching for the tragic horror of the glorious
story: and when he came to the moment when Joan learns that she is to die
that evening and faints from fear, his hands began to tremble, tears came
into his eyes, and he had to stop. He was weak from his illness: he had
become absurdly sensitive, and was himself exasperated by it.--When he
turned once more to the book it was late and the bookseller was shutting up
his boxes. He decided to buy the book and hunted through his pockets: he
had exactly six sous. Such scantiness was not rare and did not bother him:
he had paid for his dinner, and counted on getting some money out of Hecht
next day for some copying he had done. But it was hard to have to wait a
day! Why had he spent all he had on his dinner? Ah! if only he could offer
the bookseller the bread and sausages that were in his pockets, in payment!
Public-domain text, read in full here on John Shaqi.
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