Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
There was another silence. The young man made an effort to speak: his lips
trembled: it seemed that he had a sentence on the tip of his tongue, but he
could not bring himself to speak it. Christophe eagerly studied his mobile
face, the muscles of which he could see twitching under the clear skin:
he did not seem to be of the same clay as the people all about him in the
room, with their heavy, coarse faces, which were only a continuation of
their necks, part and parcel of their bodies. In the young man's face the
soul shone forth: in every part of it there was a spiritual life.
He could not bring himself to speak. Christophe went on genially:
"What are you doing among all these people?"
He spoke out loud with that strange freedom of manner which made him hated.
His friend blushed and could not help looking round to see if he had been
heard: and Christophe disliked the movement. Then, instead of answering, he
asked with a shy, sweet smile:
"And you?"
Christophe began to laugh as usual, rather loudly.
"Yes. And I," he said delightedly.
The young man at last summoned up his courage.
"I love your music so much!" he said, in a choking voice.
Then he stopped and tried once more, vainly, to get the better of his
shyness. He was blushing, and knew it: and he blushed the more, up to his
temples and round to his ears. Christophe looked at him with a smile, and
longed to take him in his arms. The young man looked at him timidly.
"No," he said. "Of course, I can't ... I can't talk about that ... not
here...."
Christophe took his hand with a grin. He felt the stranger's thin fingers
tremble in his great paw and press it with an involuntary tenderness: and
the young man felt Christophe's paw affectionately crush his hand. They
ceased to hear the chatter of the people round them. They were alone
together and they knew that they were friends.
It was only for a second, for then Madame Roussin touched Christophe on the
arm with her fan and said:
"I see that you have introduced yourselves and don't need me to do so. The
boy came on purpose to meet you this evening."
Then, rather awkwardly, they parted.
Christophe asked Madame Roussin:
"Who is he?"
"What?" said she. "You don't know him? He is a young poet and writes very
prettily. One of your admirers. He is a good musician and plays the piano
quite nicely. It is no good discussing you in his presence: he is mad
about you. The other day he all but came to blows about you with Lucien
Lévy-Coeur."
"Oh! Bless him for that!" said Christophe.
"Yes, I know you are unjust to poor Lucien. And yet he too loves your
work."
"Ah! don't tell me that! I should hate myself."
"It is so, I assure you."
"Never! never! I will not have it. I forbid him to do so."
Public-domain text, read in full here on John Shaqi.
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