Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Though there was little left to hope for from Madame Jeannin's sister, the
poor lady wove illusions about the dinner to which they were invited. They
dressed for it with fluttering hearts. They were received as guests, and
not as relations--though nothing more was expended on the dinner than the
ceremonious manner. The children met their cousins, who were almost the
same age as themselves, but they were not much more cordial than their
father and mother. The girl was very smart and coquettish, and spoke to
them with a lisp and a politely superior air, with affectedly honeyed
manners which disconcerted them. The boy was bored by this duty-dinner with
their poor relations: and he was as surly as could be. Madame Poyet-Delorme
sat up stiffly in her chair, and, even when she handed her a dish, seemed
to be reading her sister a lesson. Madame Poyet-Delorme talked trivialities
to keep the conversation from becoming serious. They never got beyond
talking of what they were eating for fear of touching upon any intimate
and dangerous topic. Madame Jeannin made an effort to bring them round to
the subject next her heart: Madame Poyet-Delorme cut her short with some
pointless remark, and she had not the courage to try again.
After dinner she made her daughter play the piano by way of showing off her
talents. The poor girl was embarrassed and unhappy and played execrably.
The Poyets were bored and anxious for her to finish. Madame Poyet exchanged
glances with her daughter, with an ironic curl of her lips: and as the
music went on too long she began to talk to Madame Jeannin about nothing in
particular. At last Antoinette, who had quite lost her place, and saw to
her horror that, instead of going on, she had begun again at the beginning,
and that there was no reason why she should ever stop, broke off suddenly,
and ended with two inaccurate chords and a third which was absolutely
dissonant. Monsieur Poyet said:
"Bravo!"
And he asked for coffee.
Madame Poyet said that her daughter was taking lessons with Pugno: and the
young lady "who was taking lessons with Pugno" said:
"Charming, my dear...."
And asked where Antoinette had studied.
The conversation dropped. They had exhausted the knick-knacks in the
drawing-room and the dresses of Madame and Mademoiselle Poyet. Madame
Jeannin said to herself:
"I must speak now. I must...."
Public-domain text, read in full here on John Shaqi.
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