Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
But often with their books open in front of them they would not read: they
would talk. Especially towards the end of the evening they would feel
the need of opening their hearts, and they would have less difficulty
in talking. Olivier had sad thoughts: and in his weakness he had to rid
himself of all that tortured him by pouring out his troubles to some one
else. He was a prey to doubt. Antoinette had to give him courage, to defend
him against himself: it was an unceasing struggle, which began anew each
day. Olivier would say bitter, gloomy things: and when he had said them he
would be relieved: but he never troubled to think how they might hurt his
sister. Only very late in the day did he see how he was exhausting her: he
was sapping her strength and infecting her with his own doubts. Antoinette
never let it appear how she suffered. She was by nature valiant and gay,
and she forced herself to maintain a show of gaiety, even when that
gracious quality was long since dead in her. She had moments of utter
weariness, and revolt against the life of perpetual sacrifice to which she
had pledged herself. But she condemned such thoughts and would not analyze
them: they came to her in spite of herself, and she would not accept
them. She found help in prayer, except when her heart could not pray--(as
sometimes happens)--when it was, as it were, withered and dry. Then she
could only wait in silence, feverish and ashamed, for the return of grace.
Olivier never had the least suspicion of the agony she suffered. At such
times Antoinette would make some excuse and go away and lock herself in her
room: and she would not appear again until the crisis was over: then she
would be smiling, sorrowful, more tender than ever, and, as it were,
remorseful for having suffered.
Their rooms were adjoining. Their beds were placed on either side of the
same wall: they could talk to each other through it in whispers: and when
they could not sleep they would tap gently on the wall to say:
"Are you asleep? I can't sleep."
The partition was so thin that it was almost as though they shared the same
room. But the door between their rooms was always locked at night, in
obedience to an instinctive and profound modesty,--a sacred feeling:--it
was only left open when Olivier was ill, as too often happened.
Public-domain text, read in full here on John Shaqi.
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