Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Her affectionate anxiety, the eagerness with which she clung to him,
and drank in his words, and overwhelmed him with little attentions,--all
her excess of tenderness and querulous devotion would deprive him utterly
of any desire to be warm and open with her. He might have seen that
Antoinette was not in a normal condition. Nothing could be farther from her
usual tact and discretion. But he never gave a thought to it. He would
reply to her questions with a curt "Yes" or "No." He would grow more stiff
and surly, the more she tried to win him over: sometimes even he would hurt
her by some brusque reply. Then she would be crushed and silent. Their day
together would slip by, wasted. But hardly had he set foot outside the
house on his way back to the _École_ than he would be heartily ashamed of
his treatment of her. He would torture himself all night as he lay awake
thinking of the pain he had caused her. Sometimes even, as soon as he
reached the _École_, he would write an effusive letter to his sister.--But
next morning, when he read it through, he would tear it up. And Antoinette
would know nothing at all about it. She would go on thinking that he had
ceased to love her.
* * * * *
She had--if not one last joy--one last flutter of tenderness and youth,
when her heart beat strongly once more; one last awakening of love in her,
and hope of happiness, hope of life. It was quite ridiculous, so utterly
unlike her tranquil nature! It could never have been but for her abnormal
condition, the state of fear and over-excitement which was the precursor of
illness.
She went to a concert at the _Châtelet_ with her brother. As he had just
been appointed musical critic to a little Review, they were in better
places than those they occupied in old days, but the people among whom they
sat were much more apathetic. They had stalls near the stage. Christophe
Krafft was to play. Neither of them had ever heard of the German musician.
When she saw him come on, the blood rushed to her heart. Although her tired
eyes could only see him through a mist, she had no doubt when he appeared:
he was the unknown young man of her unhappy days in Germany. She had
never mentioned him to her brother: and she had hardly even admitted his
existence to her thoughts: she had been entirely absorbed by the anxieties
of her life since then. Besides, she was a reasonable little Frenchwoman,
and refused to admit the existence of an obscure feeling which she could
not trace to its source, while it seemed to lead nowhere. There was in her
a whole region of the soul, of unsuspected depths, wherein there slept many
other feelings which she would have been ashamed to behold: she knew that
they were there: but she looked away from them in a sort of religious
terror of that Being within herself which lies beyond the mind's control.
Public-domain text, read in full here on John Shaqi.
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