Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
He was gentle, well-mannered, seemingly patient, though he was excessively
sensitive. A harsh word drew blood: injustice overwhelmed him: he suffered
both on his own account and for others. Certain crimes, committed ages ago,
still had the power to rend him as though he himself had been their victim.
He would go pale, and shudder, and be utterly miserable as he thought how
wretched he must have been who suffered them, and how many ages cut him off
from his sympathy. When any unjust deed was done before his eyes he would
be wild with indignation and tremble all over, and sometimes become quite
ill and lose his sleep. It was because he knew his weakness that he drew on
his mask of calmness: for when he was angry he knew that he went beyond all
limits and was apt to say unpardonable things. People were more resentful
with him than with Christophe, who was always violent, because it seemed
that in moments of anger Olivier, much more than Christophe, expressed
exactly what he thought: and that was true. He judged men and women without
Christophe's blind exaggeration, but lucidly and without his illusions. And
that is precisely what people do pardon the least readily. In such cases
he would say nothing and avoid discussion, knowing its futility. He had
suffered from this restraint. He had suffered more from his timidity, which
sometimes led him to betray his thoughts, or deprived him of the courage to
defend his thoughts conclusively, and even to apologize for them, as had
happened in the argument with Lucien Lévy-Coeur about Christophe. He had
passed through many crises of despair before he had been able to strike
a compromise between himself and the rest of the world. In his youth and
budding manhood, when his nerves were not hopelessly out of order, he
lived in a perpetual alternation of periods of exaltation and periods of
depression which came and went with horrible suddenness. Just when he was
feeling most at his ease and even happy he was very certain that sorrow was
lying in wait for him. And suddenly it would lay him low without giving
any warning of its coming. And it was not enough for him to be unhappy: he
had to blame himself for his unhappiness, and hold an inquisition into his
every word and deed, and his honesty, and take the side of other people
against himself. His heart would throb in his bosom, he would struggle
miserably, and he would scarcely be able to breathe.--Since the death of
Antoinette, and perhaps thanks to her, thanks to the peace-giving light
that issues from the beloved dead, as the light of dawn brings refreshment
to the eyes and soul of those who are sick, Olivier had contrived, if
not to break away from these difficulties, at least to be resigned to
them and to master them. Very few had any idea of his inward struggles.
The humiliating secret was locked up in his breast, all the immoderate
excitement of a weak, tormented body, surveyed serenely by a free and keen
Public-domain text, read in full here on John Shaqi.
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