Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Beneath the careless grace and the seeming dilettantism of their little
piano pieces, and songs, and French chamber-music, which German art
never deigned to notice, while Christophe himself had hitherto failed to
see the poetic accomplishment of it all, he now began to see the fever
of renovation, and the uneasiness,--unknown on the other side of the
Rhine,--with which French musicians were seeking in the unfilled fields
of their art the germs from which the future might grow. While German
musicians sat stolidly in the encampments of their forebears, and
arrogantly claimed to stay the evolution of the world at the barrier of
their past victories, the world was moving onwards: and in the van the
French plunged onward to discovery: they explored the distant realms of
art, dead suns and suns lit up once more, and vanished Greece, and the Far
East, after its age-long slumber, once more opening its slanting eyes, full
of vasty dreams, upon the light of day. In the music of the West, run off
into channels by the genius of order and classic reason, they opened up the
sluices of the ancient fashions: into their Versailles pools they turned
all the waters of the universe: popular melodies and rhythms, exotic and
antique scales, new or old beats and intervals. Just as, before them, the
impressionist painters had opened up a new world to the eyes,--Christopher
Columbuses of light,--so the musicians were rushing on to the conquest of
the world of Sound; they pressed on into mysterious recesses of the world
of Hearing: they discovered new lands in that inward ocean. It was more
than probable that they would do nothing with their conquests. As usual the
French were the harbingers of the world.
Christophe admired the initiative of their music born of yesterday and
already marching in the van of art. What valiance there was in the elegant
tiny little creature! He found indulgence for the follies that he had
lately seen in her. Only those who attempt nothing never make mistakes.
But error struggling on towards the living truth is more fruitful and more
blessed than dead truth.
Public-domain text, read in full here on John Shaqi.
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