Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
"I'm going to put in another nail. Where's my hammer? I'm putting in a
nail, two nails. One more blow with the hammer! There, old lady, that's
it...."
When Christophe was playing he would stop for a moment and listen, and then
go on whistling louder than ever: during a stirring passage he would beat
time with his hammer on the roof. At last Christophe was so exasperated
that he climbed on a chair, and poked his head through the skylight of the
attic to rate the man. But when he saw him sitting astride the roof, with
his jolly face and his cheek stuffed out with nails, he burst out laughing,
and the man joined in. And not until they had done laughing did he remember
why he had come to the window:
"By the way," he said, "I wanted to ask you: my playing doesn't interfere
with your work?"
The man said it did not: but he asked Christophe to play something faster,
because, as he worked in time to the music, slow tunes kept him back. They
parted very good friends. In a quarter of an hour they had exchanged more
words than in six months Christophe had spoken to the other inhabitants of
the house.
There were two flats on each floor, one of three rooms, the other of only
two. There were no servants' rooms: each household did its own housework,
except for the tenants of the ground floor and the first floor, who
occupied the two flats thrown into one.
On the fifth floor Christophe and Olivier's next-door neighbor was the Abbé
Corneille, a priest of some forty years old, a learned man, an independent
thinker, broad-minded, formerly a professor of exegesis in a great
seminary, who had recently been censured by Rome for his modernist
tendency. He had accepted the censure without submitting to it, in silence:
he made no attempt to dispute it and refused every opportunity offered to
him of publishing his doctrine: he shrank from a noisy publicity and would
rather put up with the ruin of his ideas than figure in a scandal.
Christophe could not understand that sort of revolt in resignation. He had
tried to talk to the priest, who, however, was coldly polite and would not
speak of the things which most interested him, and seemed to prefer as a
matter of dignity to remain buried alive.
* * * * *
Public-domain text, read in full here on John Shaqi.
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