Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Besides, whether he liked it or not, he had to go on with it if he wanted
his art to be recognized by Parisian society, which is only interested in
art in so far as it knows the artist. And he had to make himself known if
he were to find among these Philistines the pupils necessary to keep him
alive.
And, then, Christophe had a heart: his heart must have affection: wherever
he might be, there he would find food for his affections: without it he
could not live.
* * * * *
Among the few girls of that class of society--few enough--whom Christophe
taught, was the daughter of a rich motor-car manufacturer, Colette
Stevens. Her father was a Belgian, a naturalized Frenchman, the son
of an Anglo-American settled at Antwerp, and a Dutchwoman. Her mother
was an Italian. A regular Parisian family. To Christophe--and to many
others--Colette Stevens was the type of French girl.
She was eighteen, and had velvety, soft black eyes, which she used
skilfully upon young men--regular Spanish eyes, with enormous pupils; a
rather long and fantastic nose, which wrinkled up and moved at the tip as
she talked, with little fractious pouts and shrugs; rebellious hair; a
pretty little face, rather sallow complexion, dabbed with powder; heavy,
rather thick features: altogether she was like a plump kitten.
She was slight, very well dressed, attractive, provoking: she had sly,
affected, rather silly manners: her pose was that of a little girl, and she
would sit rocking her chair for hours at a time, and giving little
exclamations like: "No? Impossible...."
At meals she would clap her hands when there was a dish she loved: in the
drawing-room she would smoke cigarette after cigarette, and, when there
were men present, display an exuberant affection for her girl-friends,
flinging her arms round their necks, kissing their hands, whispering
in their ears, making ingenuous and naughty remarks, doing it most
brilliantly, in a soft, twittering voice; and in the lightest possible way
she would say improper things, without seeming to do more than hint at
them, and was even more skilful in provoking them from others; she had the
ingenuous air of a little girl, who knows perfectly well what she is about,
with her large brilliant eyes, slyly and voluptuously looking sidelong,
maliciously taking in all the gossip, and catching at all the dubious
remarks of the conversation, and all the time angling for hearts.
Public-domain text, read in full here on John Shaqi.
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