Jean-Christophe in Paris: The Market-Place, Antoinette, the HouseRolland, Romain
General
Jean-Christophe in Paris: The Market-Place, Antoinette, the House
Rolland, Romain
Epic literature; French fiction -- Translations into English; Musicians -- Fiction; Paris (France) -- Fiction; Psychological fiction
Achille Roussin was a handsome man, with a fair beard, a burring way of
talking, a florid complexion, affable manners, a certain polish on his
fundamental vulgarity, certain peasant tricks which from time to time he
used in spite of himself:--a way of paring his nails in public, a vulgar
habit of catching hold of the coat of the man he was talking to, or
gripping him by the arm:--he was a great eater, a heavy drinker, a high
liver with a gift of laughter, and the appetite of a man of the people
pushing his way into power: he was adaptable, quick to alter his manners to
sort with his surroundings and the person he was talking to, full of ideas,
and reasonable in expounding them, able to listen, and to assimilate at
once everything he heard: for the rest he was sympathetic, intelligent,
interested in everything, naturally, or as a matter of acquired habit, or
merely out of vanity: he was honest so far as was compatible with his
interests, or when it was dangerous not to be so.
He had quite a pretty wife, tall, well made, and well set up, with a
charming figure which was a little too much shown off by her tight dresses,
which accentuated and exaggerated the rounded curves of her anatomy: her
face was framed in curly black hair: she had big black eyes, a long,
pointed chin: her face was big, but quite charming in its general effect,
though it was spoiled by the twitch of her short-sighted eyes, and her
silly little pursed-up mouth. She had an affected precise manner, like
a bird, and a simpering way of talking: but she was kindly and amiable.
She came of a rich shopkeeping family, broad-minded and virtuous, and she
was devoted to the countless duties of society, as to a religion, not to
mention the duties, social and artistic, which she imposed on herself:
she had her _salon_, dabbled in University Extension movements, and was
busy with philanthropic undertakings and researches into the psychology
of childhood,--all without any enthusiasm or profound interest,--from a
mixture of natural kindness, snobbishness, and the harmless pedantry of a
young woman of education, who always seems to be repeating a lesson, and
taking a pride in showing that she has learned it well. She needed to be
busy, but she did not need to be interested in what she was doing. It
was like the feverish industry of those women who always have a piece of
knitting in their hands, and never stop clicking their needles, as though
the salvation of the world depended on their work, which they themselves
do not know what to do with. And then there was in her--as in women who
knit--the vanity of the good woman who sets an example to other women.
Public-domain text, read in full here on John Shaqi.
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