Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Jean-Christophe never failed, when they walked together, to leap the fences
of a field whenever he saw a board forbidding it, or he would pick fruit
over the walls of private grounds. Otto was in terror lest they should be
discovered. But such feelings had for him an exquisite savor, and in the
evening, when he had returned, he would think himself a hero. He admired
Jean-Christophe fearfully. His instinct of obedience found a satisfying
quality in a friendship in which he had only to acquiesce in the will of
his friend. Jean-Christophe never put him to the trouble of coming to a
decision. He decided everything, decreed the doings of the day, decreed
even the ordering of life, making plans, which admitted of no discussion,
for Otto's future, just as he did for his own family. Otto fell in
with them, though he was a little put aback by hearing Jean-Christophe
dispose of his fortune for the building later on of a theater of his own
contriving. But, intimidated by his friend's imperious tones, he did not
protest, being convinced also by his friend's conviction that the money
amassed by _Commerzienrath_ Oscar Diener could be put to no nobler use.
Jean-Christophe never for a moment had any idea that he might be violating
Otto's will. He was instinctively a despot, and never imagined that his
friend's wishes might be different from his own. Had Otto expressed a
desire different from his own, he would not have hesitated to sacrifice his
own personal preference. He would have sacrificed even more for him. He was
consumed by the desire to run some risk for him. He wished passionately
that there might appear some opportunity of putting his friendship to the
test. When they were out walking he used to hope that they might meet some
danger, so that he might fling himself forward to face it. He would have
loved to die for Otto. Meanwhile, he watched over him with a restless
solicitude, gave him his hand in awkward places, as though he were a girl.
He was afraid that he might be tired, afraid that he might be hot, afraid
that he might be cold. When they sat down under a tree he took off his coat
to put it about his friend's shoulders; when they walked he carried his
cloak. He would have carried Otto himself. He used to devour him with his
eyes like a lover, and, to tell the truth, he was in love.
He did not know it, not knowing yet what love was. But sometimes, when they
were together, he was overtaken by a strange unease--the same that had
choked him on that first day of their friendship in the pine-woods--and the
blood would rush to his face and set his cheeks aflame. He was afraid. By
an instinctive unanimity the two boys used furtively to separate and run
away from each other, and one would lag behind on the road. They would
pretend to be busy looking for blackberries in the hedges, and they did not
know what it was that so perturbed them.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account