Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
If necessary, he would have forgiven Otto for preferring other friends to
himself; but what he could not stomach was the lie. Otto was neither liar
nor hypocrite, but it was as difficult for him to tell the truth as for
a stutterer to pronounce words. What he said was never altogether true
nor altogether false. Either from timidity or from uncertainty of his own
feelings he rarely spoke definitely. His answers were equivocal, and, above
all, upon every occasion he made mystery and was secret in a way that set
Jean-Christophe beside himself. When he was caught tripping, or was caught
in what, according to the conventions of their friendship, was a fault,
instead of admitting it he would go on denying it and telling absurd
stories. One day Jean-Christophe, exasperated, struck him. He thought it
must be the end of their friendship and that Otto would never forgive him;
but after sulking for a few hours Otto came back as though nothing had
happened. He had no resentment for Jean-Christophe's violence--perhaps even
it was not unpleasing to him, and had a certain charm for him--and yet
he resented Jean-Christophe letting himself be tricked, gulping down all
his mendacities. He despised him a little, and thought himself superior.
Jean-Christophe, for his part, resented Otto's receiving blows without
revolting.
They no longer saw each other with the eyes of those first days. Their
failings showed up in full light. Otto found Jean-Christophe's independence
less charming. Jean-Christophe was a tiresome companion when they went
walking. He had no sort of concern for correctness. He used to dress as he
liked, take off his coat, open his waistcoat, walk with open collar, roll
up his shirt-sleeves, put his hat on the end of his stick, and fling out
his chest in the air. He used to swing his arms as he walked, whistle, and
sing at the top of his voice. He used to be red in the face, sweaty, and
dusty. He looked like a peasant returning from a fair. The aristocratic
Otto used to be mortified at being seen in his company. When he saw a
carriage coming he used to contrive to lag some ten paces behind, and to
look as though he were walking alone.
Public-domain text, read in full here on John Shaqi.
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