Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Young Jean-Christophe gave food both to her kindness and to her critical
mind. During the first days of her sojourn in the little town, when her
mourning kept her out of society, Jean-Christophe was a distraction
for her--primarily by his talent. She loved music, although she was no
musician; she found in it a physical and moral well-being in which thoughts
could idly sink into a pleasant melancholy. Sitting by the fire--while
Jean-Christophe played--a book in her hands, and smiling vaguely, she took
a silent delight in the mechanical movements of his fingers, and the
purposeless wanderings of her reverie, hovering among the sad, sweet images
of the past.
But more even than the music, the musician interested her. She was clever
enough to be conscious of Jean-Christophe's rare gifts, although she was
not capable of perceiving his really original quality. It gave her a
curious pleasure to watch the waking of those mysterious fires which she
saw kindling in him. She had quickly appreciated his moral qualities, his
uprightness, his courage, the sort of Stoicism in him, so touching in
a child. But for all that she did mot view him the less with the usual
perspicacity of her sharp, mocking eyes. His awkwardness, his ugliness, his
little ridiculous qualities amused her; she did not take him altogether
seriously; she did not take many things seriously. Jean-Christophe's antic
outbursts, his violence, his fantastic humor, made her think sometimes
that he was a little unbalanced; she saw in him one of the Kraffts, honest
men and good musicians, but always a little wrong in the head. Her light
irony escaped Jean-Christophe; he was conscious only of Frau von Kerich's
kindness. He was so unused to any one being kind to him! Although his
duties at the Palace brought him into daily contact with the world, poor
Jean-Christophe had remained a little savage, untutored and uneducated. The
selfishness of the Court was only concerned in turning him to its profit
and not in helping him in any way. He went to the Palace, sat at the
piano, played, and went away again, and nobody ever took the trouble to
talk to him, except absently to pay him some banal compliment. Since his
grandfather's death, no one, either at home or outside, had ever thought
of helping him to learn the conduct of life, or to be a man. He suffered
cruelly from his ignorance and the roughness of his manners. He went
through an agony and bloody sweat to shape himself alone, but he did not
succeed. Books, conversation, example--all were lacking. He would fain have
confessed his distress to a friend, but could not bring himself to do so.
Even with Otto he had not dared, because at the first words he had uttered,
Otto had assumed a tone of disdainful superiority which had burned into him
like hot iron.
Public-domain text, read in full here on John Shaqi.
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