Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Jean-Christophe also had tried to read, but he had had to give it up; he
stammered, stumbled over the words, skipped the punctuation, seemed to
understand nothing, and would be so moved that he would have to stop in the
middle of the pathetic passages, feeling tears coming. Then in a tantrum he
would throw the book down on the table, and his two friends would burst out
laughing.... How he loved them! He carried the image of them everywhere
with him, and they were mingled with the persons in Shakespeare and Goethe.
He could hardly distinguish between them. Some fragrant word of the poets
which called up from the depths of his being passionate emotions could not
in him be severed from the beloved lips that had made him hear it for the
first time. Even twenty years later he could never read Egmont or Romeo, or
see them played, without there leaping up in him at certain lines the
memory of those quiet evenings, those dreams of happiness, and the beloved
faces of Frau von Kerich and Minna.
He would spend hours looking at them in the evening when they were reading;
in the night when he was dreaming in his bed, awake, with his eyes closed;
during the day, when he was dreaming at his place in the orchestra, playing
mechanically with his eyes half closed. He had the most innocent tenderness
for them, and, knowing nothing of love, he thought he was in love. But he
did not quite know whether it was with the mother or the daughter. He went
into the matter gravely, and did not know which to choose. And yet, as it
seemed to him he must at all costs make his choice, he inclined towards
Frau von Kerich. And he did in fact discover, as soon as he had made up
his mind to it, that it was she that he loved. He loved her quick eyes,
the absent smile upon her half-open lips, her pretty forehead, so young in
seeming, and the parting to one side in her fine, soft hair, her rather
husky voice, with its little cough, her motherly hands, the elegance of her
movements, and her mysterious soul. He would thrill with happiness when,
sitting by his side, she would kindly explain to him the meaning of some
passage in a book which he did not understand; she would lay her hand on
Jean-Christophe's shoulder; he would feel the warmth of her fingers, her
breath on his cheek, the sweet perfume of her body; he would listen in
ecstasy, lose all thought of the book, and understand nothing at all. She
would see that and ask him to repeat what she had said; then he would say
nothing, and she would laughingly be angry, and tap his nose with her book,
telling him that he would always be a little donkey. To that he would reply
that he did not care so long as he was _her_ little donkey, and she did not
drive him out of her house. She would pretend to make objections; then she
would say that although he was an ugly little donkey, and very stupid, she
would agree to keep him--and perhaps even to love him--although he was good
for nothing, if at the least he would be just _good_.
Public-domain text, read in full here on John Shaqi.
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