"Oh, this is too much!" she said, and angrily thumped the piano; and she left the room in a fury. Jean-Christophe waited. She did not come back. He was ashamed of what he had done; he felt that he had behaved like a little cad. And he was at the end of his tether; she made fun of him too impudently! He was afraid lest Minna should complain to her mother, and he should be forever banished from Frau von Kerich's thoughts. He knew not what to do; for if he was sorry for his brutality, no power on earth would have made him ask pardon. He came again on the chance the next day, although he thought that Minna would refuse to take her lesson. But Minna, who was too proud to complain to anybody--Minna, whose conscience was not shielded against reproach--appeared again, after making him wait five minutes more than usual; and she sat down at the piano, stiff, upright, without turning her head or saying a word, as though Jean-Christophe no longer existed for her. But she did not fail to take her lesson, and all the subsequent lessons, because she knew very well that Jean-Christophe was a fine musician, and that she ought to learn to play the piano properly if she wished to be--what she wished to be--a well-bred young lady of finished education. But how bored she was! How they bored each other! * * * * * One misty morning in March, when little flakes of snow were flying, like feathers, in the gray air, they were in the studio. It was hardly daylight. Minna was arguing, as usual, about a false note that she had struck, and pretending that it "was written so." Although he knew perfectly well that she was lying, Jean-Christophe bent over the book to look at the passage in question closely. Her hand was on the rack, and she did not move it. His lips were near her hand. He tried to read and could not; he was looking at something else--a thing soft, transparent, like the petals of a flower. Suddenly--he did not know what he was thinking of--he pressed his lips as hard as he could on the little hand.