Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
He found life impossible. He would sit for hours with his elbows on the
window-sill looking down into the courtyard, and dreaming, as he used to
when he was a little boy, of some means of escaping from the torture of
life when it became too great. The remedy was there, under his eyes.
Immediate ... immediate? How could one know?... Perhaps after
hours--centuries--horrible sufferings!... But so utter was his childish
despair that he let himself be carried away by the giddy round of such
thoughts.
Louisa saw that he was suffering. She could not gauge exactly what was
happening to him, but her instinct gave her a dim warning of danger. She
tried to approach her son, to discover his sorrow, so as to console him.
But the poor woman had lost the habit of talking intimately to
Jean-Christophe. For many years he had kept his thoughts to himself, and
she had been too much taken up by the material cares of life to find time
to discover them or divine them. Now that she would so gladly have come to
his aid she knew not what to do. She hovered about him like a soul in
torment; she would gladly have found words to bring him comfort, and she
dared not speak for fear of irritating him. And in spite of all her care
she did irritate him by her every gesture and by her very presence, for she
was not very adroit, and he was not very indulgent. And yet he loved her;
they loved each other. But so little is needed to part two creatures who
are dear to each other, and love each other with all their hearts! A too
violent expression, an awkward gesture, a harmless twitching of an eye or a
nose, a trick of eating, walking, or laughing, a physical constraint which
is beyond analysis.... You say that these things are nothing, and yet they
are all the world. Often they are enough to keep a mother and a son, a
brother and a brother, a friend and a friend, who live in proximity to each
other, forever strangers to each other.
Jean-Christophe did not find in his mother's grief a sufficient prop in the
crisis through which he was passing. Besides, what is the affection of
others to the egoism of passion preoccupied with itself?
Public-domain text, read in full here on John Shaqi.
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