Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Poor Louisa was now spending most of her life in the past--that sad past,
which had been very niggardly of joy for her; but she was so used to
suffering that she was still grateful for the least tenderness shown to
her, and the pale lights which had shone here and there in the drab days of
her life, were still enough to make them bright. All the evil that Melchior
had done her was forgotten; she remembered only the good. Her marriage had
been the great romance of her life. If Melchior had been drawn into it by a
caprice, of which he had quickly repented, she had given herself with her
whole heart; she thought that she was loved as much as she had loved; and
to Melchior she was ever most tenderly grateful. She did not try to
understand what he had become in the sequel. Incapable of seeing reality as
it is, she only knew how to bear it as it is, humbly and honestly, as a
woman who has no need of understanding life in order to be able to live.
What she could not explain, she left to God for explanation. In her
singular piety, she put upon God the responsibility for all the injustice
that she had suffered at the hands of Melchior and the others, and only
visited them with the good that they had given her. And so her life of
misery had left her with no bitter memory. She only felt worn out--weak as
she was--by those years of privation and fatigue. And now that Melchior was
no longer there, now that two of her sons were gone from their home, and
the third seemed to be able to do without her, she had lost all heart for
action; she was tired, sleepy; her will was stupefied. She was going
through one of those crises of neurasthenia which often come upon active
and industrious people in the decline of life, when some unforeseen event
deprives them of every reason for living. She had not the heart even to
finish the stocking she was knitting, to tidy the drawer in which she was
looking, to get up to shut the window; she would sit there, without a
thought, without strength--save for recollection. She was conscious of her
collapse, and was ashamed of it or blushed for it; she tried to hide it
from her son; and Christophe, wrapped up in the egoism of his own grief,
never noticed it. No doubt he was often secretly impatient with his
mother's slowness in speaking, and acting, and doing the smallest thing;
but different though her ways were from her usual activity, he never gave a
thought to the matter until then.
Suddenly on that day it came home to him for the first time when he
surprised her in the midst of her rags, turned out on the floor, heaped up
at her feet, in her arms, and in her lap. Her neck was drawn out, her head
was bowed, her face was stiff and rigid. When she heard him come in she
started; her white cheeks were suffused with red; with an instinctive
movement she tried to hide the things she was holding, and muttered with an
awkward smile:
"You see, I was sorting...."
Public-domain text, read in full here on John Shaqi.
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