Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
Justus Euler was a little bent old man, with uneasy, gloomy eyes, a red
face, all lines and pimples, gap-toothed, with an unkempt beard, with which
he was forever fidgeting with his hands. Very honest, quite able,
profoundly moral, he had been on quite good terms with Christophe's
grandfather. He was said to be like him. And, in truth, he was of the same
generation and brought up with the same principles; but he lacked Jean
Michel's strong physique, that is, while he was of the same opinion on many
points, fundamentally he was hardly at all like him, for it is temperament
far more than ideas that makes a man, and whatever the divisions,
fictitious or real, marked between men by intellect, the great divisions
between men and men are into those who are healthy and those who are not.
Old Euler was not a healthy man. He talked morality, like Jean Michel, but
his morals were not the same as Jean Michel's; he had not his sound
stomach, his lungs, or his jovial strength. Everything in Euler and his
family was built on a more parsimonious and niggardly plan. He had been an
official for forty years, was now retired, and suffered from that
melancholy that comes from inactivity and weighs so heavily upon old men,
who have not made provision in their inner life for their last years. All
his habits, natural and acquired, all the habits of his trade had given him
a meticulous and peevish quality, which was reproduced to a certain extent
in each of his children.
His son-in-law, Vogel, a clerk at the Chancery Court, was fifty years old.
Tall, strong, almost bald, with gold spectacles, fairly good-looking, he
considered himself ill, and no doubt was so, although obviously he did not
have the diseases which he thought he had, but only a mind soured by the
stupidity of his calling and a body ruined to a certain extent by his
sedentary life. Very industrious, not without merit, even cultured up to a
point; he was a victim of our ridiculous modern life, or like so many
clerks, locked up in their offices, he had succumbed to the demon of
hypochondria. One of those unfortunates whom Goethe called "_ein trauriger,
ungriechischer Hypochondrist_"--"a gloomy and un-Greek hypochondriac,"--and
pitied, though he took good care to avoid them.
Public-domain text, read in full here on John Shaqi.
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