Epic literature; French fiction -- Translations into Finnish; Musicians -- Fiction; Psychological fiction
The two children, crushed by such loud authority, leaving nobody alone,
seemed to find it natural enough to submit to it. The boy, Leonard, was
good looking, though insignificant of feature, and stiff in manner. The
girl, Rosa, fair-haired, with pretty blue eyes, gentle and affectionate,
would have been pleasing especially with the freshness of her delicate
complexion, and her kind manner, had her nose not been quite so large or so
awkwardly placed; it made her face heavy and gave her a foolish expression.
She was like a girl of Holbein, in the gallery at Basle--the daughter of
burgomaster Meier--sitting, with eyes cast down, her hands on her knees,
her fair hair falling down to her shoulders, looking embarrassed and
ashamed of her uncomely nose. But so far Rosa had not been troubled by it,
and it never had broken in upon her inexhaustible chatter. Always her
shrill voice was heard in the house telling stories, always breathless, as
though she had no time to say everything, always excited and animated, in
spite of the protests which she drew from her mother, her father, and even
her grandfather, exasperated, not so much because she was forever talking
as because she prevented them talking themselves. For these good people,
kind, loyal, devoted--the very cream of good people--had almost all the
virtues, but they lacked one virtue which is capital, and is the charm of
life: the virtue of silence.
Christophe was in tolerant mood. His sorrow had softened his intolerant and
emphatic temper. His experience of the cruel indifference of the elegant
made him more conscious of the worth of these honest folk, graceless and
devilish tiresome, who had yet an austere conception of life, and because
they lived joylessly, seemed to him to live without weakness. Having
decided that they were excellent, and that he ought to like them, like the
German that he was, he tried to persuade himself that he did in fact like
them. But he did not succeed; he lacked that easy Germanic idealism, which
does not wish to see, and does not see, what would be displeasing to its
sight, for fear of disturbing the very proper tranquillity of its judgment
and the pleasantness of its existence. On the contrary, he never was so
conscious of the defects of these people as when he loved them, when he
wanted to love them absolutely without reservation; it was a sort of
unconscious loyalty, and an inexorable demand for truth, which, in spite of
himself, made him more clear-sighted, and more exacting, with what was
dearest to him. And it was not long before he began to be irritated by the
oddities of the family. They made no attempt to conceal them. Contrary to
the usual habit they displayed every intolerable quality they possessed,
and all the good in them was hidden. So Christophe told himself, for he
judged himself to have been unjust, and tried to surmount his first
impressions, and to discover in them the excellent qualities which they so
carefully concealed.
Public-domain text, read in full here on John Shaqi.
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